Carla Mazzarelli John orpe and the artists in Rome: the role of correspondences between patrimonial conscience and self-promotional strategies pp. 27-36, DOI: 10.7374/91040 Details Cite
Giovanna Capitelli «All a!er Raphael». Investigations on the letters of Ludwig Grüner to Nicola Consoni. London, Dresden, Rome. 1842-1877 pp. 37-49, DOI: 10.7374/91041 Details Cite
Tiziano CasolaTeresa Montefusco Lettres d'artiste. Work in progress pp. 50-54, DOI: 10.7374/91042 Details Cite
Laura Pagnotta A Portrait of a Gentleman of the early sixteenth Century in Dublin (an addition to the Catalog of Niccolò Soggi) pp. 55-67, DOI: 10.7374/91043 Details Cite
Giulio Angelucci Le Crucifixion by Lorenzo Lotto in Monte San Giusto. Chronology pp. 68-78, DOI: 10.7374/91044 Details Cite
Miguel Ángel León ColomaLuis Rodrigo Rodríguez Simón A masterpiece by Alonso Cano: the Incarnation of Granada cathedral pp. 79-92, DOI: 10.7374/91045 Details Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) Stefano Pierguidi, Sui restauri del Fauno Barberini. Alberto Casadei, Vincenzo Farinella, Raphael's Parnassus: modern poets crypto-portraits and pontifical ideology. Andrea Bacchi, Nineteenth-century Baroque: genres and iconographies. Virgilio Ciancio, Willem Jacobs, Filippo Scheggi, The insula of San Paolino alla Regola: hypotheses on the historical phases of construction . Giovanna Spadafora, Antonio Camassa, The faux dome in Sant'Ignazio di Loyola in Rome. An ongoing research. Maria Ida Catalano, Roberto Longhi and Cesare Brandi. The body of the style and the feeling of the restoration. Claudio Zambianchi, «Oltre l'oggetto»: qualche considerazione su Arte Povera e performance. Gianmarco Russo, Cecioni's anti-Baroque stance. Luca Mansueto, Ventura Salimbeni peintre-graveur and the etchings between Siena and Rome. Orietta Rossi Pinelli, The relevance of Enrico Castelnuovo. [continue...]
Details
Cite