Matteo Ieva The cultural influences in the Mediterranean. The case of the Maltese archipelago pp. 7-22, DOI: 10.7374/77117 Details Cite
Michele Zampilli Analysis of the evolutives processes of the urban fabric: notes of method pp. 23-34, DOI: 10.7374/77118 Details Cite
Virgilio CiancioWillem JacobsFilippo Scheggi The insula of San Paolino alla Regola: hypotheses on the historical phases of construction pp. 35-52, DOI: 10.7374/77119 Details Cite
Valentina PicaLuis José García-Pulido The traditional Mediterranean house with courtyard and its urban context pp. 53-64, DOI: 10.7374/77120 Details Cite
Luis José García-PulidoValentina Pica Bioclimatic behaviour of traditional domestic buildings in the mediterranean basin. Some cases of study pp. 65-78, DOI: 10.7374/77121 Details Cite
Francesca Schintu L'Alguer and the Crown of Aragon. Living in Alghero between the fifteenth and sixteenth centuries: types, style and techniques in civil architecture pp. 79-92, DOI: 10.7374/77122 Details Cite
Francesca Geremia The wooden building structures in the mediterranean and european tradition pp. 93-109, DOI: 10.7374/77123 Details Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines (PEMS) about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) Paolo Marconi, Archeologia, filologia, restauro, "falso storico". Raynaldo Perugini, Paolo Marconi architetto 'all'antica'. Alessandro Nigro, Claude Cahun e Marcel Moore: la fotografia e il fotomontaggio come journal intime. Silvia De Luca, La cappella Velluti-Zati in Santa Croce fra giottismo e arcaismi (1321 circa). Carlo Raggi, The Dante's Matelda in two paintings on wood by Ambrogio Lorenzetti?. Jean-Philippe Garric, La Renaissance perfectionnée.Le Cinquecento dans Palais, maisons et autres édifices modernes dessinés à Rome de Charles Percier et Pierre Fontaine. Anna Cipparone, Il pittore e il cardinale: Antonio Campelo e Giovanni Ricci da Montepulciano nella Roma del Cinquecento. Maria Ida Catalano, Roberto Longhi and Cesare Brandi. The body of the style and the feeling of the restoration. Stefano Pierguidi, Sui restauri del Fauno Barberini. Antonio Forcellino, A New Replica of the Pietà painted by Michelangelo for Vittoria Colonna. [continue...]
Details
Cite