Table of contents of the issue 2/2017, May-August
Stages of Embodiment in Postcolonial Theatre (edited by Serena Guarracino and Tiziana Morosetti
"The Freedom of the Thief": Derek Walcott's The Joker of Seville as a Cross-cultural Dialogue with Tirso de Molina
"The Real Australian Story": Studying Kullark as a Reassessment of Cultural Identities
Black British Women's Theatre in the 1980s and the Politics of Representation
Acting Agency in Aotearoa New Zealand: Hone Kouka's and Briar Grace-Smith's Debut Plays
Lament as Women's Speech in Femi Osofisan's Adaptation of Euripides' Trojan Women: Women of Owu
Embodied Otherness and Hybridity: David Greig's The Bacchae and the Reprise of Ancient Greek Tragedy
Embodying Otherness: Nelisiwe Xaba's Fremde Tänze
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