Serena GuarracinoTiziana Morosetti Introduction. Postcolonial Embodiments in Contemporary Performance pp. 7-26, DOI: 10.7370/87677 Details Cite
Giuseppe Sofo "The Freedom of the Thief": Derek Walcott's The Joker of Seville as a Cross-cultural Dialogue with Tirso de Molina pp. 27-50, DOI: 10.7370/87678 Details Cite
Indranil BanerjeeShouvik Banerjee "The Real Australian Story": Studying Kullark as a Reassessment of Cultural Identities pp. 51-66, DOI: 10.7370/87679 Details Cite
Giovanna Buonanno Black British Women's Theatre in the 1980s and the Politics of Representation pp. 67-82, DOI: 10.7370/87680 Details Cite
Paola Della Valle Acting Agency in Aotearoa New Zealand: Hone Kouka's and Briar Grace-Smith's Debut Plays pp. 83-104, DOI: 10.7370/87681 Details Cite
Olakunbi Olasope Lament as Women's Speech in Femi Osofisan's Adaptation of Euripides' Trojan Women: Women of Owu pp. 105-120, DOI: 10.7370/87682 Details Cite
Gioia Angeletti Embodied Otherness and Hybridity: David Greig's The Bacchae and the Reprise of Ancient Greek Tragedy pp. 121-140, DOI: 10.7370/87683 Details Cite
Annalisa Piccirillo Embodying Otherness: Nelisiwe Xaba's Fremde Tänze pp. 141-159, DOI: 10.7370/87684 Details Cite
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