Maddalena PennacchiaDeborah Cartmell Biopics of British Celebrities (2010s): Introduction pp. 7-15, DOI: 10.7370/98329 Details Cite
Davide Del Bello Mary Queen of Nowhere: History, Drama and the Paradox of Intermedial Identity in the Rhetoric of Mary: Queen of Scots pp. 17-40, DOI: 10.7370/98330 Details Cite
Chiara Battisti The Iron Lady: (Bio-)Playing with Female Subjectivities and (Bio-)Picturing Alzheimer’s pp. 41-56, DOI: 10.7370/98331 Details Cite
Saverio Tomaiuolo A Poet is Born, not Mad(e): John Clare’s Afterlives pp. 77-96, DOI: 10.7370/98333 Details Cite
Michela Compagnoni Kenneth Branagh’s Ultimate Shakespeare: All Is True pp. 97-115, DOI: 10.7370/98334 Details Cite
Alessandra Petrina Where Would you Fit the Coconuts? The Reinstatement of Sexual Stereotypes in a Mock-Biopic pp. 115-128, DOI: 10.7370/98335 Details Cite
Maddalena Pennacchia Shakespearean Actors and Hollywood Stars: Stage and Screen Celebrities in My Week with Marilyn (2011) and Burton and Taylor (2013) pp. 129-148, DOI: 10.7370/98336 Details Cite
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