Textus

English Studies in Italy

Table of Contents number 2, 2018, May-August

  • ISBN: 978-88-43-09208-6
  • |
  • TITLE: Performing Narrative across Media (edited by C. Maria Laudando and Márta Minier)
  • |
  • Vol.: XXXI
  • |
  • RDF
    • Márta Minier
    • Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre

    • pp. 23-40, DOI: 10.7370/91005
    • R. Lyle Skains
    • Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance

    • pp. 41-58, DOI: 10.7370/91006
    • Pierpaolo Martino
    • From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show

    • pp. 59-74, DOI: 10.7370/91007
    • Rosemary Kay
    • Hybridised Genres: Accessing Spaces Conventional Biography Cannot Reach

    • pp. 75-88, DOI: 10.7370/91008
    • Lucia Esposito
    • What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present'

    • pp. 103-116, DOI: 10.7370/91010
    • Sara Soncini
    • Drama on the Move: Intermedial Dialogue in Caryl Churchill's Love and Information

    • pp. 117-130, DOI: 10.7370/91011
    • Silvia Pireddu
    • 'Talking Pictures': Digital Storytelling and Performance in Heritage Communication

    • pp. 145-162, DOI: 10.7370/91013
    • Anna Maria Cimitile
    • Montage Epic in John Akomfrah's Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative

    • pp. 177-192, DOI: 10.7370/91015
    • C. Maria Laudando
    • Of Trees and Flipbooks: Multimedia Wounded Passages in William Kentridge's Second-hand Reading

    • pp. 193-214, DOI: 10.7370/91016