C. Maria LaudandoMárta Minier Introduction: Performing Narrative across Media pp. 7-22, DOI: 10.7370/91004 Details Cite
Márta Minier Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre pp. 23-40, DOI: 10.7370/91005 Details Cite
R. Lyle Skains Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance pp. 41-58, DOI: 10.7370/91006 Details Cite
Pierpaolo Martino From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show pp. 59-74, DOI: 10.7370/91007 Details Cite
Rosemary Kay Hybridised Genres: Accessing Spaces Conventional Biography Cannot Reach pp. 75-88, DOI: 10.7370/91008 Details Cite
Alessandra Ruggiero Performing Rituals of Self-Narration: Benjamin Zephaniah's Storytelling pp. 89-102, DOI: 10.7370/91009 Details Cite
Lucia Esposito What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present' pp. 103-116, DOI: 10.7370/91010 Details Cite
Sara Soncini Drama on the Move: Intermedial Dialogue in Caryl Churchill's Love and Information pp. 117-130, DOI: 10.7370/91011 Details Cite
Mariacristina Cavecchi Tim Crouch's 'Transplant': ENGLAND's Performing Narrative in Art Galleries pp. 131-144, DOI: 10.7370/91012 Details Cite
Silvia Pireddu 'Talking Pictures': Digital Storytelling and Performance in Heritage Communication pp. 145-162, DOI: 10.7370/91013 Details Cite
Francesco Cattani Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity pp. 163-176, DOI: 10.7370/91014 Details Cite
Anna Maria Cimitile Montage Epic in John Akomfrah's Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative pp. 177-192, DOI: 10.7370/91015 Details Cite
C. Maria Laudando Of Trees and Flipbooks: Multimedia Wounded Passages in William Kentridge's Second-hand Reading pp. 193-214, DOI: 10.7370/91016 Details Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) Giuliana Iannaccaro, The Story of Nongqawuse in South African Twentieth-Century Fiction. Maria Grazia Guido, Barbara Seidlhofer, Introduction. English as a Lingua Franca: Theory and Practice. Elisa Mattiello, Metaphor in Tourism Discourse: Imagined Worlds in English Tourist Texts on the Web. Nicoletta Brazzelli, Abdulrazak Gurnah's By the Sea: A Paradigmatic Novel on the Contemporary Diasporic Condition. Ester Gendusa, Pat Barker's Regeneration: Subverting the Masculinity of World War I Official Discourse. Francesco Cattani, Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity. Silvia Pireddu, 'Talking Pictures': Digital Storytelling and Performance in Heritage Communication. Márta Minier, Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre. Bianca Del Villano, An Ecocritical Retelling of the Bible: Genesis and Apocalypse in Margaret Atwood's The Year of the Flood. Sandra Campagna, Virginia Pulcini, English as a Medium of Instruction in Italian Universities: Linguistic Policies, Pedagogical Implications. [continue...]
Details
Cite