Maria PavesiSerenella ZanottiFrederic Chaume English in Audiovisual Translation Research: An Introduction pp. 7-22, DOI: 10.7370/100394 Details Cite
Silvia BrutiGianmarco Vignozzi The Representation of Spoken Discourse in Little Women: A Journey through its Original and Dubbed Adaptations pp. 23-46, DOI: 10.7370/100395 Details Cite
Maicol FormentelliElisa Ghia "What the hell’s going on?" A Diachronic Perspective on Intensifying Expletives in Original and Dubbed Film Dialogue pp. 47-73, DOI: 10.7370/100396 Details Cite
Vincenza Minutella Wow! Ehi, amico. Lascia che ti spieghi... Okay? Già. The English Element in Dubbed Italian. The Case of Animated Films pp. 75-100, DOI: 10.7370/100397 Details Cite
Cristiano Furiassi Translating the Discourse Marker Combination okay then from English into Italian: Evidence from the American TV Series Fargo pp. 101-130, DOI: 10.7370/100398 Details Cite
Giuseppe BaliranoAntonio Fruttaldo The Representation of Camorra Ladies in AVT: Gomorrah – The Series and the Negotiation of Interpersonal Meanings across Cultures pp. 131-154, DOI: 10.7370/100399 Details Cite
Marina Manfredi Latino Representation in American TV Series: Dubbing Multilingual Identities from English/Spanish into Italian pp. 155-180, DOI: 10.7370/100400 Details Cite
Irene Ranzato An Audiovisual Topos: The ‘Butler’ Character pp. 181-201, DOI: 10.7370/100401 Details Cite
Denise Filmer Linguistic Representations of Homosexual Identity in Bohemian Rhapsody and Rocketman across English and Italian Linguacultures pp. 203-227, DOI: 10.7370/100402 Details Cite
Elisa Perego Extending the Uses of Museum Audio Description: Implications for Translation Training and English Language Acquisition pp. 229-253, DOI: 10.7370/100403 Details Cite
Carla Mereu Keating “The usual hubbub of accentsµ: Italian Films, Transnational Distribution and the Reception of English-language Dubbing in the UK (1949-1969) pp. 255-276, DOI: 10.7370/100404 Details Cite
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