Glennis ByronFrancesca Saggini Introduction. Limits, Thresholds, Frontiers: Gothic Unbound pp. 7-24, DOI: 10.7370/75277 Details Cite
Maria Purves "If It Hadn't Been for You Meddling Kids": the Explained Supernatural in an Irrational Age pp. 25-36, DOI: 10.7370/75483 Details Cite
Ruth Heholt Subversive Ghost Hunting: A-Technology, the Imagination and the Gothic Spaces of Most Haunted pp. 37-48, DOI: 10.7370/75484 Details Cite
Papagena RobbinsKristopher Woofter Gothumentary: The Gothic Unsettling of Documentary's Rhetoric of Rationality pp. 49-62, DOI: 10.7370/75485 Details Cite
Michael Fuchs Hauntings: Uncanny Doubling in Alan Wake and Supernatural pp. 63-74, DOI: 10.7370/75486 Details Cite
Lidia De Michelis Haunted Narratives: Politics, Fiction and Ghostwriting in Robert Harris's The Ghost pp. 75-88, DOI: 10.7370/75487 Details Cite
Catherine Kroll Bodies of Evidence: South African Gothic and the Terror of the "Twice-Told Tale" pp. 89-102, DOI: 10.7370/75488 Details Cite
Neil McRobert "Shoot Everything that Moves": Post-Millennial Zombie Cinema and the War on Terror pp. 103-116, DOI: 10.7370/75489 Details Cite
Aline Ferreira Gothic (Dis)Embodiments: Kureishi's The Body and Richard T. Kelly's The Possessions of Doctor Forrest pp. 117-132, DOI: 10.7370/75490 Details Cite
Claudia CapancioniSibylle Erle "Have you no compassion?": Danny Boyle's and Nick Dear's Re-examination of Monstrosity in Frankenstein pp. 133-146, DOI: 10.7370/75491 Details Cite
Heta Pyrhönen "Putting Out Fire with Gasoline": The Gothic Core of Stieg Larsson's Millennium Trilogy pp. 147-160, DOI: 10.7370/75492 Details Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) Silvia Bruti, Gianmarco Vignozzi, The Representation of Spoken Discourse in Little Women: A Journey through its Original and Dubbed Adaptations. Denise Filmer, Linguistic Representations of Homosexual Identity in Bohemian Rhapsody and Rocketman across English and Italian Linguacultures. Marina Manfredi, Latino Representation in American TV Series: Dubbing Multilingual Identities from English/Spanish into Italian. Vincenza Minutella, Wow! Ehi, amico. Lascia che ti spieghi... Okay? Già. The English Element in Dubbed Italian. The Case of Animated Films. Maria Pavesi, Serenella Zanotti, Frederic Chaume, English in Audiovisual Translation Research: An Introduction. Carla Mereu Keating, “The usual hubbub of accentsµ: Italian Films, Transnational Distribution and the Reception of English-language Dubbing in the UK (1949-1969). Elisa Perego, Extending the Uses of Museum Audio Description: Implications for Translation Training and English Language Acquisition. Irene Ranzato, An Audiovisual Topos: The ‘Butler’ Character. Maicol Formentelli, Elisa Ghia, "What the hell’s going on?" A Diachronic Perspective on Intensifying Expletives in Original and Dubbed Film Dialogue. Giuseppe Balirano, Antonio Fruttaldo, The Representation of Camorra Ladies in AVT: Gomorrah – The Series and the Negotiation of Interpersonal Meanings across Cultures. [continue...]
Details
Cite