Glennis ByronFrancesca Saggini Introduction. Limits, Thresholds, Frontiers: Gothic Unbound pp. 7-24, DOI: 10.7370/75277 Details Cite
Maria Purves "If It Hadn't Been for You Meddling Kids": the Explained Supernatural in an Irrational Age pp. 25-36, DOI: 10.7370/75483 Details Cite
Ruth Heholt Subversive Ghost Hunting: A-Technology, the Imagination and the Gothic Spaces of Most Haunted pp. 37-48, DOI: 10.7370/75484 Details Cite
Papagena RobbinsKristopher Woofter Gothumentary: The Gothic Unsettling of Documentary's Rhetoric of Rationality pp. 49-62, DOI: 10.7370/75485 Details Cite
Michael Fuchs Hauntings: Uncanny Doubling in Alan Wake and Supernatural pp. 63-74, DOI: 10.7370/75486 Details Cite
Lidia De Michelis Haunted Narratives: Politics, Fiction and Ghostwriting in Robert Harris's The Ghost pp. 75-88, DOI: 10.7370/75487 Details Cite
Catherine Kroll Bodies of Evidence: South African Gothic and the Terror of the "Twice-Told Tale" pp. 89-102, DOI: 10.7370/75488 Details Cite
Neil McRobert "Shoot Everything that Moves": Post-Millennial Zombie Cinema and the War on Terror pp. 103-116, DOI: 10.7370/75489 Details Cite
Aline Ferreira Gothic (Dis)Embodiments: Kureishi's The Body and Richard T. Kelly's The Possessions of Doctor Forrest pp. 117-132, DOI: 10.7370/75490 Details Cite
Claudia CapancioniSibylle Erle "Have you no compassion?": Danny Boyle's and Nick Dear's Re-examination of Monstrosity in Frankenstein pp. 133-146, DOI: 10.7370/75491 Details Cite
Heta Pyrhönen "Putting Out Fire with Gasoline": The Gothic Core of Stieg Larsson's Millennium Trilogy pp. 147-160, DOI: 10.7370/75492 Details Cite
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