Francesco Giusti Imitating the Birds: Metamorphosis of a Lyric Topos pp. 5-34, DOI: 10.1404/76144 Details Buy Cite
Gianluca Genovese "Gold, silver, copper and false". Anton Francesco Doni's "Medaglie" pp. 35-52, DOI: 10.1404/76145 Details Buy Cite
Giuliano Mori Francis Bacon's Inductive Method and Baroque Rhetoric pp. 53-72, DOI: 10.1404/76146 Details Buy Cite
Alberto Bonchino The "Dark Abyss of the Earth". Werner and the Romantic Philosophy of Nature (1788-1799) pp. 73-96, DOI: 10.1404/76147 Details Buy Cite
Stefano Ferrari Cicognara and Winckelmann: continuity and criticism of the history of art pp. 97-114, DOI: 10.1404/76148 Details Buy Cite
Martina Mengoni «Doktor» Primo Levi. "Ars medica" and Science Fiction (with a Leopardian thread) pp. 115-132, DOI: 10.1404/76149 Details Buy Cite
Luigi Azzariti-Fumaroli The Dissolve of the Ego. On Maurice Blanchot pp. 133-152, DOI: 10.1404/76150 Details Buy Cite
Alessandro Zanca The dethronement of the ideal of love: "Così fan tutte" pp. 153-172, DOI: 10.1404/76151 Details Buy Cite
Elisabetta Orsini Penelope's awakening. Considerations on the relationship between the awake/asleep status in Paul Valéry pp. 173-, DOI: 10.1404/76152 Details Buy Cite
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Most downloaded articles (last 2 months) , Valutatori 2018. Andrea Mirabile, Roland Barthes tra "morte dell'autore" e biografia. Erich Auerbach, The Idea of the National Spirit as Source of the Modern Humanities. Elena Porciani, Patto e spazio autobiografico: l'avventura teoria di Philippe Lejeune. , Valutatori 2016. Alberto Frigo, The Aesthetics of Reception and History of Art: H.R. Jauss, F. Haskell and a Pretended Vermeer. Vinicio Pacca, Sulla concezione petrarchesca della fortuna. , Valutatori 2017. Carlo Ginzburg, Some Considerations on Auerbach and Dante. Fabio Domenico Palumbo, Pasolini, Calvino, Baricco: images of Japan in post-World War II Italian literature. [continue...]
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