Federico Vitella The Star-Question and Star-Building. The Star-Entrance in Post-World War II Italian Cinema pp. 159-180, DOI: 10.17397/102711 Details € 8,00 Cite
Daria Bozzato Madness and Empathy in Marco Turco’s C’era una volta la città dei matti. A Basaglian Perspective pp. 181-194, DOI: 10.17397/102712 Details € 8,00 Cite
Luca Venzi Repetition, Verticality, Color. An (Eisensteinian) Analysis of La ricotta pp. 195-208, DOI: 10.17397/102713 Details € 8,00 Cite
Marco Cucco COVID and the Italian Film Industry: A Critical Chronicle pp. 209-226, DOI: 10.17397/102714 Details € 8,00 Cite
Nicolò Dimasi «We Are not Ready». Antonioni and Modernity, Between Science and Science-fiction pp. 227-240, DOI: 10.17397/102715 Details € 8,00 Cite
Luca Bertoloni Song-form and Film. Compilation Soundtracks in the Works of Nanni Moretti pp. 241-256, DOI: 10.17397/102716 Details € 8,00 Cite
Massimiliano CovielloValentina Re Geography of the «Margins»: The Use of Peripheral Locations in Rai TV Crime Dramas pp. 257-278, DOI: 10.17397/102717 Details € 8,00 Cite
Angelo Pietro Desole Bruno Stefani. The Parable of a Modernist Photographer pp. 279-296, DOI: 10.17397/102718 Details € 8,00 Cite
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