Lucia Cardone Non-returnable bodies: La ragazza in vetrina by Luciano Emmer pp. 135-154, DOI: 10.17397/95214 Details Cite
Sima Belmar The Choreography of Colonial Critique: Antonioni’s L’Eclisse pp. 155-166, DOI: 10.17397/95215 Details Cite
Maria Francesca Piredda Italy’s Ghosts: Scola’s Passions and Trovajoli’s Music in C’eravamo tanto amati pp. 167-182, DOI: 10.17397/95216 Details Cite
Carlotta Guido Between Technique and Feeling: The Success of Crowdfunding for Restoration. The Cases of Eppela, Art Bonus and MakingOf pp. 183-194, DOI: 10.17397/95217 Details Cite
Fabrizio Natalini Nell’anno del Signore: From Script to Film pp. 195-210, DOI: 10.17397/95218 Details Cite
Maria Teresa Soldani The Birth of a Museum for Contemporary Arts: The Case of Centro Pecci, 1986-1992 pp. 211-226, DOI: 10.17397/95219 Details Cite
Massimo CovielloGiacomo Tagliani Migrant Images and Imageries in Contemporary Italian Cinema pp. 227-240, DOI: 10.17397/95220 Details Cite
Raffaele Pavoni The (Negotiated) Sense of the City. Urban Representations in the Archivio delle Memorie Migranti Productions pp. 241-268, DOI: 10.17397/95221 Details Cite
Metello Mugnai Recycled, Reusable, and Polluting. Discard Narratives in Emanuele Crialese’s Terraferma pp. 269-281, DOI: 10.17397/95222 Details Cite
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Most downloaded articles (last 2 months) , Referee 2016. , Referee 2017. , Referee 2018. Maria Teresa Soldani, The Birth of a Museum for Contemporary Arts: The Case of Centro Pecci, 1986-1992. Fabrizio Natalini, Nell’anno del Signore: From Script to Film. Metello Mugnai, Recycled, Reusable, and Polluting. Discard Narratives in Emanuele Crialese’s Terraferma. Marco Cucco, Bianca Parravicini, Record Normality. Financing, promotion and distribution of the films performed by Checco Zalone. Raffaele De Berti, Europa di notte. The Revue Show in the Italy of the Economic Boom. Massimo Coviello, Giacomo Tagliani, Migrant Images and Imageries in Contemporary Italian Cinema. Carlotta Guido, Between Technique and Feeling: The Success of Crowdfunding for Restoration. The Cases of Eppela, Art Bonus and MakingOf. [continue...]
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