Maria Gimènez Cavallo Cinema dell’anima. For a Transcendental, Post-humanist, Poetic Cinema pp. 3-22, DOI: 10.17397/101275 Details Cite
Damiano GarofaloLuca Peretti Non-Theatrical Circuits of Italian Cinema in the American Midwest. A Case Study pp. 23-40, DOI: 10.17397/101276 Details Cite
Samuel AntichiGiulia Fanara De Robertis’ Archive. Francesco De Robertis’ Cinema from Unproduced Screenplays pp. 41-55, DOI: 10.17397/101277 Details Cite
Miriam Petrini Federico Fellini at the Eiar (1940-1943). The Evolution of Radioplays and the Birth of the «Fellinian» pp. 57-72, DOI: 10.17397/101278 Details Cite
Federica Piana A «Scandalously Respectable» Diva. The Autobiography of Silvana Pampanini pp. 107-126, DOI: 10.17397/101280 Details Cite
Luca BarraElisa Farinacci Easy Italian! Television Cooking Shows and the International Circulation of Italian Cuisine pp. 127-140, DOI: 10.17397/101281 Details Cite
Emily Meneghin SKAM and SKAM Italia Adapting a Transmedia Format Across a Transnational Media and Cultural Landscape pp. 141-154, DOI: 10.17397/101282 Details Cite
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Most downloaded articles (last 2 months) , Referee 2018. , Referee 2016. Federica Piana, A «Scandalously Respectable» Diva. The Autobiography of Silvana Pampanini. , Referee 2017. Lucia Cardone, Non-returnable bodies: La ragazza in vetrina by Luciano Emmer. Giulia Simi, «The Coincidence of Being». Patrizia Vicinelli’s Errant Subjects between Poetry and Experimental Cinema. Emilio Audissino, A Matter of Form, Style, and Monsters. A Comparative Analysis of Reazione a catena and Friday the 13th. Nicola Stefani, Traces of Storyboarding. Francesco Rosi's La sfida. Lorenzo Denicolai, Elisa Farinacci, I’ll Tell You with a Video: Audiovisual Languages on Daily-use Social Media. Mariapia Comand, Federica Villa, Identifying Spaces: on the Feminine and Masculine in Popular Cinema in the Fifties and Sixties. [continue...]
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