Barbara Corsi Politicians Who Like Women, and Right-wing Ideology: How Giacinto Puppis Helped Create a New Type of Politician pp. 3-18, DOI: 10.17397/93877 Details Cite
Faye McIntyre The Romantic Risks of the Ruse: Federico Fellini's Il bidone (1955) pp. 19-34, DOI: 10.17397/93878 Details Cite
Massimiliano Gaudiosi Cantate con noi: canzoni, pubblico e censura nel filone napoletano pp. 35-48, DOI: 10.17397/93879 Details Cite
Denis Lotti Silent Memories. Egodocuments as Sources for Early Italian Cinema History pp. 49-64, DOI: 10.17397/93880 Details Cite
Deborah Toschi Femininity and Macabre Trucage in Italian Gothic Horror, between Anatomical Waxes and Memento Mori pp. 65-78, DOI: 10.17397/93881 Details Cite
Lauren De Camilla Contemporary Italian Horror Cinema: Female Directors and Framing the Maternal pp. 79-92, DOI: 10.17397/93882 Details Cite
Luciano Nigro Red Harvest: The Movie of a Lifetime that Bernardo Bertolucci Never Made pp. 93-106, DOI: 10.17397/93883 Details Cite
Luciano Nigro «Volevo un film politico negli Usa». Conversazione con Bernardo Bertolucci pp. 107-114, DOI: 10.17397/93884 Details Cite
Antonella De BlasioMarco Teti Naples «It's Me and You». The Construction and Distribution of the Liberato Music Brand through the Videoclips of Francesco Lettieri pp. 115-130, DOI: 10.17397/93885 Details Cite
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Most downloaded articles (last 2 months) , Referee 2017. , Referee 2016. , Referee 2018. Chiara Tognolotti, Women's Bodies. Declinations of Excessiveness in Stefania Sandrelli's Acting. Barbara Corsi, Politicians Who Like Women, and Right-wing Ideology: How Giacinto Puppis Helped Create a New Type of Politician. Alberto Pezzotta, Pandora's Box. Buone notizie and the Portrayal of Sexuality in 1970s Italian Cinema. Michael Guarneri, The First-Degree Milan Trial for Obscenity against Salò o le 120 giornate di Sodoma. Raffaele De Berti, Europa di notte. The Revue Show in the Italy of the Economic Boom. Deborah Toschi, Femininity and Macabre Trucage in Italian Gothic Horror, between Anatomical Waxes and Memento Mori. Faye McIntyre, The Romantic Risks of the Ruse: Federico Fellini's Il bidone (1955). [continue...]
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