Antioco FlorisMarco Gargiulo Lingue e linguaggi in cerca del reale: alcune riflessioni per un’introduzione pp. 3-10, DOI: 10.17397/98973 Details Cite
Luca Bandirali Human Reality: Action and Perception in Italian Audiovisual Narratives between Serial Drama and Realist Film pp. 11-21, DOI: 10.17397/98974 Details Cite
Marco Gargiulo Multilingualism and Reality in Films. Social Space and Migration pp. 23-35, DOI: 10.17397/98975 Details Cite
Myriam Mereu Feels Like Teen Spirit: Adolescence in the Cinema of Reality pp. 37-54, DOI: 10.17397/98976 Details Cite
Rolf Johannessen Space and Reality in the Cinematic City. Matteo Garrone’s Early Cinema and Dogman pp. 55-68, DOI: 10.17397/98977 Details Cite
Antonio Catolfi Reality, Fictions and Live Films Places. Tosca and La Traviata pp. 69-80, DOI: 10.17397/98978 Details Cite
Luigi Storto Visual Journeys Between Fairytale, History and Memory: The Films of Pietro Marcello pp. 81-95, DOI: 10.17397/98979 Details Cite
Guglielmo PescatoreMarta Rocchi Gomorra: La serie, The Realism Formula pp. 87-108, DOI: 10.17397/98980 Details Cite
Anna Tonelli Bribes, Showgirls and Show Politics: The TV Series 1992 under the Lens of History pp. 109-118, DOI: 10.17397/98981 Details Cite
Cosetta Gaudenzi Between Reality and Fiction. Ammore e malavita by the Manetti Bros. pp. 119-130, DOI: 10.17397/98982 Details Cite
Giancarlo Lombardi Of Genius and Brilliance. Notes on the Adaptation of Elena Ferrante’s L’amore molesto and L’amica geniale pp. 131-144, DOI: 10.17397/98983 Details Cite
Lorenzo DenicolaiElisa Farinacci I’ll Tell You with a Video: Audiovisual Languages on Daily-use Social Media pp. 145-165, DOI: 10.17397/98984 Details Cite
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