Federico Zecca «Non sono bello... piaccio!». New Men and vecchi inetti in Italian Comedy of the 1980s pp. 15-28, DOI: 10.17397/90657 Details Cite
Guido CollettiJerry Calà Jerry Calà: Analysing a Latin Lover of the 1980s pp. 29-44, DOI: 10.17397/90658 Details Cite
Alberto Scandola Stefano Accorsi: The Construction and Deconstruction of a Sex Symbol pp. 45-56, DOI: 10.17397/90659 Details Cite
Giovanna Summerfield Scusa ma decido io! Raoul Bova and the Personification of the Latin Lover pp. 57-68, DOI: 10.17397/90660 Details Cite
Danielle Hipkins Paola Cortellesi: Fragmenting the "Latin Lover" in Italian Romantic Comedy pp. 81-96, DOI: 10.17397/90662 Details Cite
Roy Menarini The Latin Lover as Nostalgia. Cristina Comencini's Latin Lover and the Commemoration of the Great Italian Cinema pp. 97-104, DOI: 10.17397/90663 Details Cite
Enrico Biasin Bellissimi. Gabriel Garko, Luca Argentero and Riccardo Scamarcio. The Latin Lover and the Convergent Star Text pp. 105-134, DOI: 10.17397/90664 Details Cite
Enrico BiasinGiannino Malossi Latin Over. Conversazione con Giannino Malossi pp. 135-142, DOI: 10.17397/90665 Details Cite
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Most downloaded articles (last 2 months) , Referee 2017. , Referee 2016. Chiara Tognolotti, Women's Bodies. Declinations of Excessiveness in Stefania Sandrelli's Acting. Giovanna Summerfield, Scusa ma decido io! Raoul Bova and the Personification of the Latin Lover. Alberto Scandola, Stefano Accorsi: The Construction and Deconstruction of a Sex Symbol. Guido Colletti, Jerry Calà, Jerry Calà: Analysing a Latin Lover of the 1980s. Deniz Özalpman, Sibel Kaba, Transnational Directions in Italian Cinema: An Audience Analysis of "Rosso Istanbul". Raffaele De Berti, Europa di notte. The Revue Show in the Italy of the Economic Boom. Stefania Parigi, Film on paper. Un Paese by Strand and Zavattini. , Referee 2018. [continue...]
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