Lucia Cardone Non-returnable bodies: La ragazza in vetrina by Luciano Emmer pp. 135-154, DOI: 10.17397/95214 Details Cite
Sima Belmar The Choreography of Colonial Critique: Antonioni’s L’Eclisse pp. 155-166, DOI: 10.17397/95215 Details Cite
Maria Francesca Piredda Italy’s Ghosts: Scola’s Passions and Trovajoli’s Music in C’eravamo tanto amati pp. 167-182, DOI: 10.17397/95216 Details Cite
Carlotta Guido Between Technique and Feeling: The Success of Crowdfunding for Restoration. The Cases of Eppela, Art Bonus and MakingOf pp. 183-194, DOI: 10.17397/95217 Details Cite
Fabrizio Natalini Nell’anno del Signore: From Script to Film pp. 195-210, DOI: 10.17397/95218 Details Cite
Maria Teresa Soldani The Birth of a Museum for Contemporary Arts: The Case of Centro Pecci, 1986-1992 pp. 211-226, DOI: 10.17397/95219 Details Cite
Massimo CovielloGiacomo Tagliani Migrant Images and Imageries in Contemporary Italian Cinema pp. 227-240, DOI: 10.17397/95220 Details Cite
Raffaele Pavoni The (Negotiated) Sense of the City. Urban Representations in the Archivio delle Memorie Migranti Productions pp. 241-268, DOI: 10.17397/95221 Details Cite
Metello Mugnai Recycled, Reusable, and Polluting. Discard Narratives in Emanuele Crialese’s Terraferma pp. 269-281, DOI: 10.17397/95222 Details Cite
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Most downloaded articles (last 2 months) , Referee 2017. , Referee 2016. , Referee 2018. Maria Teresa Soldani, The Birth of a Museum for Contemporary Arts: The Case of Centro Pecci, 1986-1992. Chiara Tognolotti, Women's Bodies. Declinations of Excessiveness in Stefania Sandrelli's Acting. Lucia Cardone, Non-returnable bodies: La ragazza in vetrina by Luciano Emmer. Raffaele De Berti, Europa di notte. The Revue Show in the Italy of the Economic Boom. Maria Francesca Piredda, Italy’s Ghosts: Scola’s Passions and Trovajoli’s Music in C’eravamo tanto amati. Carlotta Guido, Between Technique and Feeling: The Success of Crowdfunding for Restoration. The Cases of Eppela, Art Bonus and MakingOf. Deborah Toschi, Femininity and Macabre Trucage in Italian Gothic Horror, between Anatomical Waxes and Memento Mori. [continue...]
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