Federico Zecca «Non sono bello... piaccio!». New Men and vecchi inetti in Italian Comedy of the 1980s pp. 15-28, DOI: 10.17397/90657 Details Cite
Guido CollettiJerry Calà Jerry Calà: Analysing a Latin Lover of the 1980s pp. 29-44, DOI: 10.17397/90658 Details Cite
Alberto Scandola Stefano Accorsi: The Construction and Deconstruction of a Sex Symbol pp. 45-56, DOI: 10.17397/90659 Details Cite
Giovanna Summerfield Scusa ma decido io! Raoul Bova and the Personification of the Latin Lover pp. 57-68, DOI: 10.17397/90660 Details Cite
Danielle Hipkins Paola Cortellesi: Fragmenting the "Latin Lover" in Italian Romantic Comedy pp. 81-96, DOI: 10.17397/90662 Details Cite
Roy Menarini The Latin Lover as Nostalgia. Cristina Comencini's Latin Lover and the Commemoration of the Great Italian Cinema pp. 97-104, DOI: 10.17397/90663 Details Cite
Enrico Biasin Bellissimi. Gabriel Garko, Luca Argentero and Riccardo Scamarcio. The Latin Lover and the Convergent Star Text pp. 105-134, DOI: 10.17397/90664 Details Cite
Enrico BiasinGiannino Malossi Latin Over. Conversazione con Giannino Malossi pp. 135-142, DOI: 10.17397/90665 Details Cite
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Most downloaded articles (last 2 months) , Referee 2016. , Referee 2018. , Referee 2017. Danielle Hipkins, Paola Cortellesi: Fragmenting the "Latin Lover" in Italian Romantic Comedy. Giovanna Summerfield, Scusa ma decido io! Raoul Bova and the Personification of the Latin Lover. Alberto Scandola, Stefano Accorsi: The Construction and Deconstruction of a Sex Symbol. Chiara Tognolotti, Women's Bodies. Declinations of Excessiveness in Stefania Sandrelli's Acting. Martina Gandolfi, The Shape of Silence. The Art of Lyda Borelli between the XIX and XX Centuries. Gabriele Landrini, Popular Magazines and Cinema on Paper. A Study of Franco Bozzesi's Cineromanzi. Clizia Centorrino, Le cose belle: On the Aesthetics of Becoming in Documentary Films. [continue...]
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