Emilio Audissino A Matter of Form, Style, and Monsters. A Comparative Analysis of Reazione a catena and Friday the 13th pp. 3-22, DOI: 10.17397/97432 Details Cite
Ornella Castiglione The Pirelli-Bicocca Case: The (Dismantled) Factory between Reality and Image pp. 25-40, DOI: 10.17397/97433 Details Cite
Angela Bianca Saponari Little Stars Grow Up. The Representation of Child Actors in the Magazines of the Thirties pp. 41-62, DOI: 10.17397/97434 Details Cite
Flavio AltamuraAndrea MarianiGianluca Melandri The Fossil Man of Mount Circeo (1939). The Cineguf of Pisa and the Documentary on the Guattari Cave pp. 63-85, DOI: 10.17397/97435 Details Cite
Francesco Di ChiaraPaolo Noto The Italian Code: Preventive Censorship and Self-Censorship 1944-1962 pp. 87-103, DOI: 10.17397/97436 Details Cite
Rocco Giansante Besieged in Israel. Gilberto Tofano Films the Aftermath of The Six Day War pp. 105-120, DOI: 10.17397/97437 Details Cite
Vito Zagarrio A Theoretical Film: L’uomo in più (One Man Up) pp. 123-139, DOI: 10.17397/97438 Details Cite
Andrea Minuz «Roma cafona». Notes on The Great Beauty, Kitsch and Photography pp. 155-165, DOI: 10.17397/97440 Details Cite
Nicoletta Marini-Maio Obscenity, The Female Body’s Erotic Capital and the Catastrophe of Aging in Paolo Sorrentino’s Loro pp. 167-186, DOI: 10.17397/97441 Details Cite
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