Andrea Gatti Meaningful Images and Morphological Analoga DOI: 10.14648/97113 Availability: 22/06/2020 Details
Maddalena BorsatoNicola Perullo Toward an Aesthetic Genealogy of Sweetness: First Elements DOI: 10.14648/97114 Availability: 22/06/2020 Details
Silvana Borutti Threshold Experiences in A Midsummer Night’s Dream pp. 255-266, DOI: 10.14648/102672 Details Cite
Giuseppe Di Giacomo The Tempest. Theater as History of Humanity and Ethics of Participation pp. 267-279, DOI: 10.14648/102674 Details Cite
Alessandro Alfieri Jarman’s The Tempest and Greenaway’s Prospero’s Books: Visual Transfigurations of the Shakespearean Imaginary pp. 281-291, DOI: 10.14648/102675 Details Cite
Antonio Valentini The Magic of the Theatre as Experience of Truth. Fiction and Reality in the Shakespeare- Strehler’s Island-World pp. 293-313, DOI: 10.14648/102676 Details Cite
Piergiorgio Donatelli Compassion and Desire: Notes on The Tempest and A Midsummer Night’s Dream pp. 315-332, DOI: 10.14648/102677 Details Cite
Giovanni Matteucci Notes on Appearance and Illusion in Shakespeare’s Aesthetic Meditation pp. 333-351, DOI: 10.14648/102678 Details Cite
Stefano Velotti «Bottom [...] thou art translated». The Untranslatability of the Imagination in A Midsummer Night’s Dream pp. 353-367, DOI: 10.14648/102679 Details Cite
Pietro Terzi Maurice Denis and Félix Vallotton: Two Anti-Kantian Poetics in Fin-de-Siècle French Art pp. 369-386, DOI: 10.14648/102680 Details Cite
Emiliano De Vito The Great Midnight. An Analogical Interpretation of Dürer’s Melencolia I pp. 387-402, DOI: 10.14648/102681 Details Cite
Laura Aimo Hamlet and Ophelia. For a Practice of Aesthetic Education pp. 403-431, DOI: 10.14648/102682 Details Cite
Alberto Merzari «Wie du anfingst, wirst du bleiben». The Return to the First Beginning and the East-West Übersetzung in M. Heidegger’s Thinking pp. 433-459, DOI: 10.14648/100330 Details Cite
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