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Description
estetica. studi e ricerche is an interdisciplinary journal that publishes essays on philosophical topics concerning aesthetics and its history, philosophy of art, cultural studies and contemporary art, that is what the people today consider art. The practice that exceeds the logic of the western agenda. The journal adopts peer-review process using double blind refereeing. The frequency is two issues per year.
Early Access Articles
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Strange Shadows. A Reply to Jacques Brunschwig
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Signs of Art: The Euro in a LIS Poem
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Sentire aude. The Kantian program of 1765-1766
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Metaphorical Meaning as a Philosophical Problem: a Comparison Between Black, Goodman and Davidson
Latest articles
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Pathology of the Form. Artistic Genius and Nocturnal Humanism in Thomas Mann’s Zauberberg
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To the «Philosophical» Origins of the Inner Monologue: Victor Egger, Fichte and the «Spiritual Exercises»
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Metaphorical Meaning as a Philosophical Problem: a Comparison Between Black, Goodman and Davidson
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Sentire aude. The Kantian program of 1765-1766
EARLY ACCESS
Signs of Art: The Euro in a LIS Poem
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Strange Shadows. A Reply to Jacques Brunschwig
Most read Articles
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Love, Beauty, Death
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Res Mystica. Critique of the nNecessary Bbject in Giorgio Colli’s Philosophy of Expression
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Strange Shadows. A Reply to Jacques Brunschwig
EARLY ACCESS
Signs of Art: The Euro in a LIS Poem
EARLY ACCESS
Sentire aude. The Kantian program of 1765-1766
EARLY ACCESS
Metaphorical Meaning as a Philosophical Problem: a Comparison Between Black, Goodman and Davidson
EARLY ACCESS
Pathology of the Form. Artistic Genius and Nocturnal Humanism in Thomas Mann’s Zauberberg
EARLY ACCESS
To the «Philosophical» Origins of the Inner Monologue: Victor Egger, Fichte and the «Spiritual Exercises»
EARLY ACCESS
Metaphorical Meaning as a Philosophical Problem: a Comparison Between Black, Goodman and Davidson
EARLY ACCESS
Sentire aude. The Kantian program of 1765-1766
EARLY ACCESS
Signs of Art: The Euro in a LIS Poem
EARLY ACCESS
Strange Shadows. A Reply to Jacques Brunschwig
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Love, Beauty, Death
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Res Mystica. Critique of the nNecessary Bbject in Giorgio Colli’s Philosophy of Expression
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