Marco Russo Topics of Sense. Reading Plessner’s Philosophy of Culture DOI: 10.14648/96356 Availability: 06/04/2020 Details
Salvatore Tedesco Exclusion, Word, Silence: Mariella Mehr pp. 353-366, DOI: 10.14648/95482 Details Cite
Ambra Carta «Writing is a Transmission». The Word and the Abyss in Primo Levi pp. 367-380, DOI: 10.14648/95483 Details Cite
Francesco Camera «Gedicht und Gespräch». Paul Celan’s Dialogue with Nelly Sachs and Margarete Susman pp. 381-398, DOI: 10.14648/95484 Details Cite
Rosaria Caldarone Desire as a Place of Witness. Reading Paul Celan pp. 399-408, DOI: 10.14648/95485 Details Cite
Filippo Fimiani If This is White Noise. Language, Memory, Testimony pp. 409-422, DOI: 10.14648/95486 Details Cite
Marcia Sá Cavalcante Schuback Nelly Sachs’ Chorus Poetics pp. 423-440, DOI: 10.14648/95487 Details Cite
Giovanni Lombardo The σπουδαιογέλοιον and the Art of serio ludere in Classical Anti pp. 457-476, DOI: 10.14648/95489 Details Cite
Eleonora Caramelli The Greatest Fear. Hegel, Macbeth and the Bondsman: Literature in Philosophy pp. 477-502, DOI: 10.14648/95490 Details Cite
Elisabetta Mengaldo «Gay Science» and «Sad Science». Nietzsche’s and Adorno’s Short Prose Form pp. 503-520, DOI: 10.14648/95491 Details Cite
Luca Taddio The Measure of Living: Observations on the Aesthetics of Wittgenstein pp. 521-538, DOI: 10.14648/95492 Details Cite
Alice Giannitrapani Don’t Skip Intro. Sigle da non perdere pp. 539-564, DOI: 10.14648/95493 Details Cite
Camilla Robuschi Aesthetic as Modeling System: The Biosemiotic Perspective pp. 565-584, DOI: 10.14648/95494 Details Cite
Massimo Donà The Art and the Negation of the Absolute. Andrea Emo: an Extreme Philosophy pp. 617-646, DOI: 10.14648/95497 Details Cite
Marco Bruni The «Perfect Knowledge» of Art. Andrea Emo and the Aesthetic Liberation pp. 647-658, DOI: 10.14648/95498 Details Cite
Federico Croci Imaginative Eurythmics. Iconoduly and Iconoclasm by Andrea Emo pp. 659-668, DOI: 10.14648/95499 Details Cite
Francesco Valagussa Andrea Emo and the Tautology of Presence. Consciousness, Actuality and Transcendence pp. 669-680, DOI: 10.14648/95500 Details Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) , Immagini. Giovanbattista Tusa, Geographies. Of Western Border. , Immagini. Francesco Cattaneo, Bright Spots in the Night. Focusing on the Role of Art in Friedrich Nietzsche's Birth of Tragedy from the Perspective of the Overturning of Platonism. Elisabetta Mengaldo, «Gay Science» and «Sad Science». Nietzsche’s and Adorno’s Short Prose Form. Daniele Guastini, Augustine of Hippo and Aesthetics. Carlo Gentili, Hofmannsthal and Nietzsche. On the Lie of Language. Andrea Emo, Frammenti sull’arte. Vincenzo Vitiello, Two Pictures, Two Philosophies, Two Worlds. The Political Theology of Vico and Benjamin. Riccardo Dottori, The Hyper-reality of Mask in Giorgio de Chirico. [continue...]
Details
Cite
Download