Table of contents of the issue 2/2018, May-August
Performing Narrative across Media (edited by C. Maria Laudando and Márta Minier)
Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre
Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance
From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show
Hybridised Genres: Accessing Spaces Conventional Biography Cannot Reach
Performing Rituals of Self-Narration: Benjamin Zephaniah's Storytelling
What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present'
Drama on the Move: Intermedial Dialogue in Caryl Churchill's Love and Information
Tim Crouch's 'Transplant': ENGLAND's Performing Narrative in Art Galleries
'Talking Pictures': Digital Storytelling and Performance in Heritage Communication
Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity
Montage Epic in John Akomfrah's Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative
Of Trees and Flipbooks: Multimedia Wounded Passages in William Kentridge's Second-hand Reading
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