C. Maria LaudandoMárta Minier Introduction: Performing Narrative across Media pp. 7-22, DOI: 10.7370/91004 Details Cite
Márta Minier Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre pp. 23-40, DOI: 10.7370/91005 Details Cite
R. Lyle Skains Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance pp. 41-58, DOI: 10.7370/91006 Details Cite
Pierpaolo Martino From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show pp. 59-74, DOI: 10.7370/91007 Details Cite
Rosemary Kay Hybridised Genres: Accessing Spaces Conventional Biography Cannot Reach pp. 75-88, DOI: 10.7370/91008 Details Cite
Alessandra Ruggiero Performing Rituals of Self-Narration: Benjamin Zephaniah's Storytelling pp. 89-102, DOI: 10.7370/91009 Details Cite
Lucia Esposito What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present' pp. 103-116, DOI: 10.7370/91010 Details Cite
Sara Soncini Drama on the Move: Intermedial Dialogue in Caryl Churchill's Love and Information pp. 117-130, DOI: 10.7370/91011 Details Cite
Mariacristina Cavecchi Tim Crouch's 'Transplant': ENGLAND's Performing Narrative in Art Galleries pp. 131-144, DOI: 10.7370/91012 Details Cite
Silvia Pireddu 'Talking Pictures': Digital Storytelling and Performance in Heritage Communication pp. 145-162, DOI: 10.7370/91013 Details Cite
Francesco Cattani Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity pp. 163-176, DOI: 10.7370/91014 Details Cite
Anna Maria Cimitile Montage Epic in John Akomfrah's Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative pp. 177-192, DOI: 10.7370/91015 Details Cite
C. Maria Laudando Of Trees and Flipbooks: Multimedia Wounded Passages in William Kentridge's Second-hand Reading pp. 193-214, DOI: 10.7370/91016 Details Cite
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