Laura Di Michele Rewriting as Violence against Fairy Tales, Myths and History pp. 33-54, DOI: 10.7370/80648 Details Cite
Silvia Antosa "My Monstrous Burden": Queering the Myth, Rewriting the Self in Jeanette Winterson's Weight pp. 55-74, DOI: 10.7370/80649 Details Cite
Valentina Castagna Eat or Be Eaten: Psychological and Bodily Violence in Michèle Roberts's Reworking of Fairy-Tale Cannibalism pp. 75-92, DOI: 10.7370/80650 Details Cite
Ester Gendusa Pat Barker's Regeneration: Subverting the Masculinity of World War I Official Discourse pp. 93-112, DOI: 10.7370/80651 Details Cite
Eleonora Rao "The Words Boil Out of Me, Coil after Coil of Sinuous Possibility": Fairy Tales in Margaret Atwood's Work pp. 113-134, DOI: 10.7370/80652 Details Cite
Igor Maver Penelope as a Desperate Housewife: Margaret Atwood's Retelling of the Penelope Myth in The Penelopiad and Some Other Modern Penelopes pp. 135-150, DOI: 10.7370/80653 Details Cite
Bianca Del Villano An Ecocritical Retelling of the Bible: Genesis and Apocalypse in Margaret Atwood's The Year of the Flood pp. 151-170, DOI: 10.7370/80654 Details Cite
Maria Grazia Nicolosi Between Ecstasy and Terror: David Dabydeen's Mythical Transfiguration of the Imperial Archive pp. 171-190, DOI: 10.7370/80655 Details Cite
Giuliana Iannaccaro The Story of Nongqawuse in South African Twentieth-Century Fiction pp. 191-212, DOI: 10.7370/80656 Details Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) Silvia Bruti, Gianmarco Vignozzi, The Representation of Spoken Discourse in Little Women: A Journey through its Original and Dubbed Adaptations. Denise Filmer, Linguistic Representations of Homosexual Identity in Bohemian Rhapsody and Rocketman across English and Italian Linguacultures. Marina Manfredi, Latino Representation in American TV Series: Dubbing Multilingual Identities from English/Spanish into Italian. Vincenza Minutella, Wow! Ehi, amico. Lascia che ti spieghi... Okay? Già. The English Element in Dubbed Italian. The Case of Animated Films. Maria Pavesi, Serenella Zanotti, Frederic Chaume, English in Audiovisual Translation Research: An Introduction. Carla Mereu Keating, “The usual hubbub of accentsµ: Italian Films, Transnational Distribution and the Reception of English-language Dubbing in the UK (1949-1969). Elisa Perego, Extending the Uses of Museum Audio Description: Implications for Translation Training and English Language Acquisition. Irene Ranzato, An Audiovisual Topos: The ‘Butler’ Character. Maicol Formentelli, Elisa Ghia, "What the hell’s going on?" A Diachronic Perspective on Intensifying Expletives in Original and Dubbed Film Dialogue. Giuseppe Balirano, Antonio Fruttaldo, The Representation of Camorra Ladies in AVT: Gomorrah – The Series and the Negotiation of Interpersonal Meanings across Cultures. [continue...]
Details
Cite