Caroline Reitz Nancy Drew, Dragon Tattoo: Female Detective Fiction and the Ethics of Care pp. 19-46, DOI: 10.7370/78276 Details Cite
Federico Zullo Invading the Metropolis. Thugs and "Oriental Criminals" between Victorian and Postcolonial Stories pp. 47-66, DOI: 10.7370/78277 Details Cite
Roberta Cimarosti The Killer of Modern Times: Les Murray's Fredy Neptune pp. 67-90, DOI: 10.7370/78278 Details Cite
Ellen Carter Antipodean French Crime Fiction is All but Pacific pp. 91-108, DOI: 10.7370/78279 Details Cite
Alessia Ursella What is the Crime? The Upside-down Case of Christopher Banks in Kazuo Ishiguro's When We Were Orphans pp. 109-126, DOI: 10.7370/78280 Details Cite
Anna Pasolini "Eastern Promises": The (De)Colonisation of the Body of the (M)Other in Eastern Promises pp. 127-146, DOI: 10.7370/78281 Details Cite
Britney Broyles From Opium Den to Partner-in-Crime... Solving: The Chinese Presence in Sherlock Holmes Adaptations pp. 147-168, DOI: 10.7370/78282 Details Cite
Nicoletta Valorani (Post)Colonising Crime Fiction. Some Reflections on Good and Evil in Global Times pp. 169-184, DOI: 10.7370/78283 Details Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines (PEMS) about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
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