Stefano Mastandrea The psychological perspective on arts: theoretical and experimental approaches pp. 417-432, DOI: 10.1422/91563 Details Cite
Gianluca Consoli The goal and the nature of aesthetic experience: Some key hypotheses on the basis of the neuro-psychological approach to aesthetics pp. 433-452, DOI: 10.1422/91564 Details Cite
Emanuele Arielli The problem of introspection in aesthetics pp. 453-472, DOI: 10.1422/91565 Details Cite
Michele Guerra A new case for (neuro)cognitivism: New perspectives in film theory pp. 473-486, DOI: 10.1422/91566 Details Cite
Alberto Voltolini Picture Perception is Superstrongly Cognitively Penetrated pp. 487-504, DOI: 10.1422/91567 Details Cite
Marta BenentiCristina Meini Expressive like me: music, emotions and resemblance pp. 505-526, DOI: 10.1422/91568 Details Cite
Elvira Di Bona A Comparison between Musical and Ordinary Auditory Scene Analysis pp. 527-542, DOI: 10.1422/91569 Details Cite
Francesca Bacci Embodiment as multi-sensorial space and time perception: some significant experiences in cognitive science and in art museum curatorship pp. 543-556, DOI: 10.1422/91570 Details Cite
Pietro Terna Neuroscienze e società: arriva la concretezza? pp. 557-561, DOI: 10.1422/91571 Details Cite
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