Chiara Savettieri «N'est pas je vais mourir? Dis-moi la vérité»: Ferdinand Hodler's Cycle on Valentine Godé-Darel pp. 5-19, DOI: 10.7374/83230 Details Cite
Christopher Townsend Modernism's Re-imagining of 'the Good Death': A Case Study of Bretonnes by Félix Delmarle pp. 20-30, DOI: 10.7374/83231 Details Cite
Jonathan F. Walz The Act of Portrayal and the Art of Dying: Charles Demuth 'Faces' Mortality pp. 31-43, DOI: 10.7374/83232 Details Cite
Sergio Cortesini Dropping Like Flies. Post-humanism in Damien Hirst's Natural History series pp. 44-57, DOI: 10.7374/83233 Details Cite
Stefano Pierguidi Thomas Howard, Earl of Arundel, and the Rucellai Collection pp. 58-62, DOI: 10.7374/83234 Details Cite
Luca Mansueto Ventura Salimbeni peintre-graveur and the etchings between Siena and Rome pp. 63-76, DOI: 10.7374/83235 Details Cite
Vittoria Brunetti Fresh Evidence Sheds New Light on Carlo Barberini's Patronage of Painter Carlo Maratti pp. 77-88, DOI: 10.7374/83236 Details Cite
Gianpasquale Greco A Monument 'to Himself ': Carlo Maratti's Tomb in the Church of S. Maria degli Angeli pp. 89-94, DOI: 10.7374/83237 Details Cite
Chiara Mannoni Giuseppe Melchiorri, Antiquarian President in 1838 pp. 95-102, DOI: 10.7374/83238 Details Cite
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