Ventura Salimbeni peintre-graveur and the etchings between Siena and Rome
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Abstract
The article reconstructs the engraving activity of the sienese painter Ventura Salimbeni (1567- 1613) during his stay in Rome. The study of etchings, signed and dated by the artist (1589- 1594), has allowed us to understand the artistic relationship between the painter and his master in the practice of etching, both among publishers- printers active in Rome in the last decade of the XVIth century.
