Davide Lacagnina Rediscovery of Antiquity and Classical Reception in Gustave Moreau's Prométhée pp. 5-17, DOI: 10.7374/73839 Details Cite
Anna Mazzanti Edward Gordon Craig in Florence. «The whole city is a stage mounted with scenes of loveliness» pp. 31-42, DOI: 10.7374/73841 Details Cite
Alessandro Nigro Fortunato Depero's Balli plastici: new documents for a reappraisal of the show and its reception; with a note on Edward Gordon Craig pp. 43-53, DOI: 10.7374/73842 Details Cite
Ilaria Schiaffini Imaginist photomontages by Vinicio Paladini between painting, theatre and cinema pp. 54-66, DOI: 10.7374/73843 Details Cite
Stefano Pierguidi Mercury in Florence: from Lastricati to Giambologna pp. 67-86, DOI: 10.7374/73844 Details Cite
Álvaro Recio MirNoemi Cinelli Art, celebration and fire. The Cathedral of Seville and the fireworks in the second half of the 17th century pp. 87-97, DOI: 10.7374/73845 Details Cite
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Most downloaded articles (last 2 months) Andrea Brunetti, La chiesa-pinacoteca di Baranello. Brevi note su Giovanni Balducci e Ippolito Borghese. Davide Lacagnina, Rediscovery of Antiquity and Classical Reception in Gustave Moreau's Prométhée. Francesco Paolo Fiore, Antonio da Sangallo il Giovane e la Zecca di Castro. Anastilosi e reintegrazione. Stefano Pierguidi, Sui restauri del Fauno Barberini. Virgilio Ciancio, Willem Jacobs, Filippo Scheggi, The insula of San Paolino alla Regola: hypotheses on the historical phases of construction . Marco Simone Bolzoni, Un inedito disegno giovanile di Giuseppe Cesari. Giuseppe Pucci, Agency, oggetto, immagine. L'antropologia dell'arte di Alfred Gell e l'antichità classica. Andrea Bacchi, Nineteenth-century Baroque: genres and iconographies. Carlotta Castellani, At the Crossroads of Civilisation and Culture: «G»'s New Concept of Progress. Paolo Marconi, Archeologia, filologia, restauro, "falso storico". [continue...]
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