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Table of contents of the issue 3/2023, September-December
Cinquant'anni dalla morte. Carlo Emilio Gadda (1973-2023). Gadda Transmissions

ISBN: 978-88-15-38610-6

Year: XXXVIII

Strumenti critici 3/2023 pp: 443-446 DOI: 10.1419/108796

Nota dei curatori

Strumenti critici 3/2023 pp: 447-448 DOI: 10.1419/108797

Clelia Martignoni

The “Multipliedµ Eye

Strumenti critici 3/2023 pp: 449-468 DOI: 10.1419/108798

Giuseppe Bonifacino

Deformation and Semblance: Theory and Figures of Time in Gadda

Strumenti critici 3/2023 pp: 469-490 DOI: 10.1419/108799

Giulia Fanfani

«Dentro a macchina»: The Interventionism of the Gadda Brothers

Strumenti critici 3/2023 pp: 491-514 DOI: 10.1419/108800

Milena Giuffrida

More on Gadda’s Library

Strumenti critici 3/2023 pp: 515-536 DOI: 10.1419/108801

Giulia Perosa

The Conceptualization of Landscape in Gadda’s «Meditazione milanese »

Strumenti critici 3/2023 pp: 537-554 DOI: 10.1419/108802

Riccardo Stracuzzi

The Fable and the Instant: Gadda and the Narrative “Paceµ (Introductory Notes)

Strumenti critici 3/2023 pp: 555-572 DOI: 10.1419/108803

Luca Mazzocchi

On the Notes of «L’Adalgisa»: Between Self-Commentary, Memory and Extratextuality

Strumenti critici 3/2023 pp: 573-594 DOI: 10.1419/108804

Serena Vandi

Double Echolalia: On the Satire of «Eros e Priapo»

Strumenti critici 3/2023 pp: 595-618 DOI: 10.1419/108805

Giorgia Ghersi

Gadda and the Review: The Collaboration with «Il Mondo» (1945-1946)

Strumenti critici 3/2023 pp: 619-636 DOI: 10.1419/108806

Valentino Baldi

Gadda’s Intention

Strumenti critici 3/2023 pp: 637-658 DOI: 10.1419/108807

Andrea Cortellessa

Archeology with Sharks: Debris of the Great War in «Quer pasticciaccio brutto de via Merulana»

Strumenti critici 3/2023 pp: 659-686 DOI: 10.1419/108808

Notizie sui collaboratori

Strumenti critici 3/2023 pp: 687-690 DOI: 10.1419/108809

Tavola delle sigle

Strumenti critici 3/2023 pp: 691-692 DOI: 10.1419/108810

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