Mario Domenichelli Mario Praz, Metaphysics: T.S. Eliot, Montale, and De Chirico pp. 9-22, DOI: 10.1419/96344 Details Cite
Maria Serena Sapegno Thematic Criticism from a Different Point of View pp. 23-38, DOI: 10.1419/96345 Details Cite
Paola Orrù A Portrait of the Artist as a Young Man: Reading Mario Praz’s Early Production. The Case of «Ifigenia» pp. 44-54, DOI: 10.1419/96347 Details Cite
Ferdinando Amigoni Niches of Mystery: Franco Vaccari, Traces and Passages pp. 73-106, DOI: 10.1419/96349 Details Cite
Francesco Venturi From 'Novella 1a' to 'Novella 3a': Hidden Paths within Carlo Emilio Gadda’s Narrative Experimentation in the 1920s and 1930s pp. 107-133, DOI: 10.1419/96350 Details Cite
Fabio Pedone Towards the Omega-Language: Zanzotto and Joyce pp. 135-158, DOI: 10.1419/96351 Details Cite
Francesca Galli Representations of the Celestial Kingdom Before Dante pp. 159-181, DOI: 10.1419/96352 Details Cite
Emanuele Banfi About Fausto Petrella’s ‘L’ascolto e l’ostacolo’ pp. 183-191, DOI: 10.1419/96353 Details Cite
Guido Lucchini Leo Spitzer, Perifrasi del concetto di fame. La lingua segreta dei prigionieri italiani nella Grande guerra pp. 193-197, DOI: 10.1419/96354 Details Cite
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Most downloaded articles (last 2 months) , Notizie sui collaboratori. , Notizie sui collaboratori. , Notizie sui collaboratori. , Notizie sui collaboratori. , Notizie sui collaboratori. , Notizie sui collaboratori. , Notizie sui collaboratori. Mauro Bersani, Cesare Segre and the publisher Einaudi. Francesco Venturi, 'My shortness of breath when writing letters'. Carlo Emilio Gadda's Correspondence with Carlo Bo. Fabio Pedone, Towards the Omega-Language: Zanzotto and Joyce. [continue...]
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