Luciano Formisano A Few Remarks on Albino Pierro and Gianfranco Contini pp. 207-220, DOI: 10.1419/97599 Details Cite
Guido Lucchini The Philologist and the Publisher. On the Letters between Gianfranco Contini and Giulio Einaudi pp. 221-240, DOI: 10.1419/97600 Details Cite
Stefano Lazzarin At the Origins of «La Comédie Humaine»: Uncanny Places in Balzac’s Paris pp. 241-264, DOI: 10.1419/97601 Details Cite
Nicolò Rossi The Plague, the Evidence, and the Trials: Giovanni Testori from Manzoni to Carlo Borromeo and Back pp. 265-288, DOI: 10.1419/97602 Details Cite
Arnaldo Di Benedetto Exploring Eighteenth-Century Culture with Andrea Battistini pp. 289-301, DOI: 10.1419/97603 Details Cite
Nadia Ebani An Analysis of Giovanni Pascoli’s Hymn ‘La poesia’ pp. 303-311, DOI: 10.1419/97604 Details Cite
Riccardo Antonangeli Riddle and Estrangement: Narrating the Fascist Enemy in Postwar Italian Literature pp. 313-334, DOI: 10.1419/97605 Details Cite
Roberto Silva An Iconological Interpretation of the “Sala dei Gigantiµ by Lattanzio Gambara (1572-1573) in Parma pp. 335-361, DOI: 10.1419/97606 Details Cite
Giuliana Bendelli Anna Maria Montanari, Cleopatra in Italian and English Renaissance Drama pp. 381-384, DOI: 10.1419/97608 Details Cite
Antonio Bibbò Edoardo Esposito, Con altra voce. La traduzione letteraria tra le due guerre pp. 385-387, DOI: 10.1419/97609 Details Cite
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