Deformation and Semblance: Theory and Figures of Time in Gadda
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Abstract
In light of Carlo Emilio Gadda’s theoretical observations on reality as a polarity of ever-changing elements of which time can be considered a “semblanceµ, the article dwells on some aspects and images of temporality in Gadda’s narrative, examining some of the related thematical implications and semantic inflections
Keywords
- Polarity
- Deformation
- Semblance
- Time
- Pain
