Andrea Aveto «Stay in the Partisan Zone (Without Playing the Hero)». Giorgio Caproni and the Resistance pp. 3-26, DOI: 10.1419/85970 Details Buy Cite
Clelia Martignoni Carlo Emilio Gadda's «La cognizione del dolore» on Stage: the Challenge of a Theatrical Adaptation pp. 27-46, DOI: 10.1419/85971 Details Buy Cite
Stefano Carrai Luciano Cecchinel or the Pity's Song: an Analysis of the Poetry Collection «Perché ancora» pp. 47-54, DOI: 10.1419/85972 Details Buy Cite
Giacomo Morbiato Theoretical and Historical Implications of Stylistic Approach to Metrics pp. 55-78, DOI: 10.1419/85973 Details Buy Cite
Amelia Juri Metrical and Syntactical Constants of Giorgio Caproni's Early Works (from «Come un'allegoria» to «Finzioni») pp. 79-104, DOI: 10.1419/85974 Details Buy Cite
Simona Carretta The Last Parnassus. The Spectrum of the Arts through the Novel pp. 105-118, DOI: 10.1419/85975 Details Buy Cite
Guido Lucchini Giulio Einaudi nell'editoria di cultura del novecento italiano, a cura di Paolo Soddu pp. 119-125, DOI: 10.1419/85976 Details Buy Cite
Giuliana Adamo Caro Umberto, Sergio carissimo. Gramsci, comunismo e religione nelle lettere tra Sergio Atzeni e Umberto Cardia pp. 126-128, DOI: 10.1419/85977 Details Buy Cite
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