Carlo Emilio Gadda's «La cognizione del dolore» on Stage: the Challenge of a Theatrical Adaptation
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Abstract
The essay examines diverse aspects of an interesting and daring recent theatrical adaptation of Carlo Emilia Gadda's novel "La cognizione del dolore" (Milan, Out Off, 2014). Important features of Gadda's work are explored in relation to its theatrical rendering, most notably the novel's poetic style and incompleteness as well as the characters' relationships and conflicts.
Keywords
- C.E. Gadda
- La Cognizione del Dolore
- Style and Poetry
- Theatrical Adaptation (2014)
