Martina Zanco A Henry Miller Style Love Story. Last tango in Paris by Robert Alley pp. 207-224, DOI: 10.17397/91648 Details € 8,00 Cite
Clizia Centorrino Le cose belle: On the Aesthetics of Becoming in Documentary Films pp. 225-242, DOI: 10.17397/91649 Details € 8,00 Cite
Gabriele Landrini Popular Magazines and Cinema on Paper. A Study of Franco Bozzesi's Cineromanzi pp. 243-256, DOI: 10.17397/91650 Details € 8,00 Cite
Simone Dotto «Illusions of a Faraway Homeland». Translocative Geographies in the Production of «Descriptive» Records for Italians in the USA (1917-1930) pp. 257-272, DOI: 10.17397/91651 Details € 8,00 Cite
Amedeo D'Adamo The Unsteadycam, Take 1. Results of Reconstructive Research Building the 1928 Camera Designed by Alessandro Blasetti and Ernesto Cauda pp. 273-294, DOI: 10.17397/91652 Details € 8,00 Cite
Alberto Anile «Comandante» De Robertis after 8 September 1943 pp. 295-310, DOI: 10.17397/91653 Details € 8,00 Cite
Marco Gargiulo The Reinvention of Realism. Multilingualism in Italian New Cinema pp. 311-324, DOI: 10.17397/91654 Details € 8,00 Cite
Angelo Pietro Desole «The Last Depth of Peace»1. Representation of Silence in Landscape Photography pp. 325-342, DOI: 10.17397/91655 Details € 8,00 Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines (PEMS) about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) Fabrizio Natalini, Nell’anno del Signore: From Script to Film. Federica Piana, A «Scandalously Respectable» Diva. The Autobiography of Silvana Pampanini. , Referee 2016. , Referee 2018. , Referee 2017. Giovanni Grasso, Inchiesta alimentare a Rofrano (1954). Virgilio Tosi’s First Professional Short Film, between a Social and Anthropological Documentary and a Historical Document. David Bruni, The «Body» of French Stardom in 1960s Italian Cinema. The Case of Catherine Spaak. Jennifer Malvezzi, Sara Martin, Tiger Kings. Animal Trainers for Cinema in the Italian Production System (1949-1976). Marco Cucco, COVID and the Italian Film Industry: A Critical Chronicle. Deborah Toschi, Femininity and Macabre Trucage in Italian Gothic Horror, between Anatomical Waxes and Memento Mori. [continue...]
Details
€ 8,00
Cite
Download