Giovanni RuoccoPierluigi MontalbanoPietro Antonio Valentino Nota introduttiva / Introductory note pp. 3-13, DOI: 10.1446/86578 Details Buy Cite
Giovanni Ruocco Back to the future? Democracy beyond the forms of political modernity pp. 15-26, DOI: 10.1446/86579 Details Buy Cite
Ennio Igor Mineo Common goods as «objects» of appropriation in the history pp. 27-36, DOI: 10.1446/86580 Details Buy Cite
Pierluigi Montalbano The debate on common goods: An economic critique pp. 37-50, DOI: 10.1446/86581 Details Buy Cite
Pietro Antonio Valentino Culture as commons: from the definitions to forms of governance and government pp. 51-80, DOI: 10.1446/86582 Details Buy Cite
Stefania Mabellini Cultural heritage and status of «commons»: An incorporation really necessary? pp. 81-94, DOI: 10.1446/86583 Details Buy Cite
Carla Bodo In defense of the National Endowment for the Arts pp. 95-100, DOI: 10.1446/86584 Details Buy Cite
Elena Alessandrini The public of Fondazione Teatro dell'Opera di Roma: Dimension, Dynamics and Features pp. 101-120, DOI: 10.1446/86585 Details Buy Cite
Alfredo Valeri Crowdfunding in Arts and Culture: from funding to engagement pp. 121-130, DOI: 10.1446/86586 Details Buy Cite
Antonio Lampis Towards an expanded concept of welfare definition. Cultural welfare projects of the Autonomous Province of Bolzano pp. 131-136, DOI: 10.1446/86587 Details Buy Cite
Gian Paolo Manzella Intervista ad Hasan Bakhshi, Come calcolare il valore economico della creatività (e farla prendere sul serio) pp. 137-144, DOI: 10.1446/86588 Details Buy Cite
M. Giusti AA.VV., La formazione al management culturale. Scenari, pratiche, nuove sfide, Antonio Taormina (a cura di) pp. 145-146, DOI: 10.1446/86589 Details Buy Cite
G.P. Manzella How to measure the economic value of creative industries (and take them seriously) pp. 147-148, DOI: 10.1446/86590 Details Buy Cite
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