Stefano Agosti «Semantic subject» and «grammatical subject»: two experiences (Pasolini, Zanzotto) pp. 153-170, DOI: 10.1419/36999 Details € 8,00 Cite
Richard Ambrosini The New World of the Novel, 1900-1925 pp. 171-206, DOI: 10.1419/37000 Details € 8,00 Cite
Stefano Barelli On «A un mascalzone» by Giorgio Orelli pp. 207-222, DOI: 10.1419/37001 Details € 8,00 Cite
Guido Lucchini Riccardo Bacchelli, Letters to Angelandrea Zottoli (1931-1946) pp. 223-262, DOI: 10.1419/37002 Details € 8,00 Cite
Davide Bellini The doors ajar of unconscious. On a Savinio's Freudian source pp. 263-280, DOI: 10.1419/37003 Details Cite
Stefano Bragato The «description» in the notebooks of Gabriele d'Annunzio pp. 281-292, DOI: 10.1419/37004 Details € 8,00 Cite
Emmanuela Carbé «Quasi che tutto fosse favola»? Traces of fairy tale in «Lessico famigliare» pp. 293-310, DOI: 10.1419/37005 Details € 8,00 Cite
Maria Borio Montale's «Satura»: the inclusive representation pp. 311-326, DOI: 10.1419/37006 Details € 8,00 Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines (PEMS) about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) , Notizie sui collaboratori. Elena Arnone, On the Editorial Correspondence between Franco Fortini and the Einaudi Publishing House. Donato Pirovano, «Io vidi | l’alto trïunfo del regno verace». A Reading of Canto XXX of Dante’s ‘Paradise’. Angela Borghesi, Change and Breath: Anna Maria Ortese’s Words to Save the World. Marcello Sabbatino, The Inverted Pyramid. A Study of Leonardo Sciascia’s Non- Fiction Writing.. Francesco Venturi, Notes on Gadda’s Critical Essays: The Making of «I viaggi la morte». Simona Beccone, P.B. Shelley’s Cosmology of Light and the Doctrine of the Brahman. Dante Isella, Clelia Martignoni, Vittorio Sereni, «Ancora sulla strada di Zenna». Variazioni su un tema leopardiano. Enrico Sinno, Diverse Voices in Giorgio Manganelli’s Critical Notes: Walter Pater, Mario Praz, and Benedetto Croce. Massimo Danzi, A Double Contribution to Giovanni Verga’s and Luigi Pirandello’s Correspondence. [continue...]