Antonio Pinelli The spider's web and the parrot's eloquence. The intriguing visual plots, frescoed by Donato Decumbertino in Gambatesa pp. 5-50, DOI: 10.7374/98262 Details Cite
Leandro Ventura Prince's virtues and ancient models in the Castle of Gambatesa pp. 51-60, DOI: 10.7374/98263 Details Cite
Alessio Monciatti A little-known image of Saint Peter in the Vatican, between Antonio da Sangallo the Younger, Michelangelo and Vasari pp. 61-66, DOI: 10.7374/98264 Details Cite
Eliana Carrara The Vasarian Workshop and the mythological narrative pp. 67-78, DOI: 10.7374/98265 Details Cite
Salvatore Monda Ovidian Stories in the cycle of frescoes of Gambatesa Castle pp. 79-88, DOI: 10.7374/98266 Details Cite
Angelo Maria Monaco Donato Decumbertino and Gianserio Strafella from Copertino. Painters of the Maniera moderna in the Kingdom of Naples, in a net of Patronage pp. 89-98, DOI: 10.7374/98267 Details Cite
Nadia Raimo The Crypt of Sant’Adamo in the Church of Santa Maria Maggiore in Guglionesi pp. 99-112, DOI: 10.7374/98268 Details Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) Barbara Cinelli, Manzù and seventeenth-century sculpture: the history of a forgotten episode. Alessandro Nigro, Claude Cahun e Marcel Moore: la fotografia e il fotomontaggio come journal intime. Angela Napoletano, Preesistenze medievali nell'area di Palazzo Silvestri-Rivaldi. Manuel Barrese, Marcello Piacentini promotore di artisti e collezionista. Virgilio Ciancio, Willem Jacobs, Filippo Scheggi, The insula of San Paolino alla Regola: hypotheses on the historical phases of construction . Antonio Pinelli, The spider's web and the parrot's eloquence. The intriguing visual plots, frescoed by Donato Decumbertino in Gambatesa. Gianpasquale Greco, A Monument 'to Himself ': Carlo Maratti's Tomb in the Church of S. Maria degli Angeli. Alexandre Ragazzi, Ancora il paragone tra pittura e scultura: i modelli plastici ausiliari e una possibilità di conciliazione. Paola Porretta, Antonio Muñoz e via dei Fori Imperiali a Roma. Claudio Zambianchi, «Oltre l'oggetto»: qualche considerazione su Arte Povera e performance. [continue...]
Details
Cite