Maurizio CauEnrico Valseriati La legge delle immagini. Cultura visuale e discorso giuridico tra età moderna e contemporanea pp. 7-32, DOI: 10.7387/102354 Details Cite
Carolin Behrmann Forming Norms. Observation and the Agency of Images pp. 49-67, DOI: 10.7387/102356 Details Cite
Giovanni Florio Kneelings and sealed Charters: Iconography of the Pacts of Dedication to the Republic of Venice (Sixteenth and Seventeenth Centuries) pp. 69-92, DOI: 10.7387/102357 Details Cite
Manuela Bragagnolo Physiognomy and Law. The Visual Judgment in the Early Modern Period pp. 93-113, DOI: 10.7387/102358 Details Cite
Lucio Biasiori Images and Words of the Choice in Loyola’s ‘Spiritual Exercises’ (1541- 1600) pp. 115-136, DOI: 10.7387/102359 Details Cite
Andreas Biefang The Plenary Hall as Symbolic Place. On the Visual Order of Legislation in German Parliaments pp. 137-158, DOI: 10.7387/102360 Details Cite
Luigi Lacchè «Justice Armed with the Law»: Notes on Images and Aesthetics of Law during Fascism pp. 159-184, DOI: 10.7387/102361 Details Cite
Daniel Damler «Ex sensu ius oritur». The Materialization of Norms by (Moving) Images pp. 185-208, DOI: 10.7387/102362 Details Cite
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Most downloaded articles (last 2 months) , Authors. , Autori. , Autori. , Autori. , Autori. Maurizio Cau, Enrico Valseriati, La legge delle immagini. Cultura visuale e discorso giuridico tra età moderna e contemporanea. Laura Di Fiore, A Global History in the Nineteenth-century Political Mediterranean. The Neapolitan Mission in Constantinople. Maria Matilde Benzoni, The Past in the Present. The Covid-19 Pandemic between Global History and Cultural Memory. Benedikt Stuchtey, Clio con Brio. European Perspectives on Writing the Global History of the Nation. Luigi Lacchè, «Justice Armed with the Law»: Notes on Images and Aesthetics of Law during Fascism. [continue...]
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