Mario Domenichelli Mario Praz, Metaphysics: T.S. Eliot, Montale, and De Chirico pp. 9-22, DOI: 10.1419/96344 Details € 8,00 Cite
Maria Serena Sapegno Thematic Criticism from a Different Point of View pp. 23-38, DOI: 10.1419/96345 Details € 8,00 Cite
Marco Sonzogni «Secreti travasi»: una poesia per Praz pp. 39-41, DOI: 10.1419/96346 Details € 8,00 Cite
Paola Orrù A Portrait of the Artist as a Young Man: Reading Mario Praz’s Early Production. The Case of «Ifigenia» pp. 44-54, DOI: 10.1419/96347 Details € 8,00 Cite
Giuliana Adamo On the Beginnings and Endings of Novels pp. 55-72, DOI: 10.1419/96348 Details € 8,00 Cite
Ferdinando Amigoni Niches of Mystery: Franco Vaccari, Traces and Passages pp. 73-106, DOI: 10.1419/96349 Details € 8,00 Cite
Francesco Venturi From 'Novella 1a' to 'Novella 3a': Hidden Paths within Carlo Emilio Gadda’s Narrative Experimentation in the 1920s and 1930s pp. 107-133, DOI: 10.1419/96350 Details € 8,00 Cite
Fabio Pedone Towards the Omega-Language: Zanzotto and Joyce pp. 135-158, DOI: 10.1419/96351 Details € 8,00 Cite
Francesca Galli Representations of the Celestial Kingdom Before Dante pp. 159-181, DOI: 10.1419/96352 Details € 8,00 Cite
Emanuele Banfi About Fausto Petrella’s ‘L’ascolto e l’ostacolo’ pp. 183-191, DOI: 10.1419/96353 Details € 8,00 Cite
Guido Lucchini Leo Spitzer, Perifrasi del concetto di fame. La lingua segreta dei prigionieri italiani nella Grande guerra pp. 193-197, DOI: 10.1419/96354 Details € 8,00 Cite
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Most downloaded articles (last 2 months) Francesco Venturi, Notes on Gadda’s Critical Essays: The Making of «I viaggi la morte». , Notizie sui collaboratori. Ferdinando Amigoni, Restoring the Aura. A few notes on Peter Handke in the« Photomatic». Giancarlo Alfano, The Indelible Image: Vision and Position in Andrea Zanzotto. Padovani Francesco, Anna Maria Ortese and the Concept of Antiquity. Daria Farafonova, «Diverse voci fanno dolci note». The “creatural polyphonyµ in Dante and Dostoevsky. Mario Barenghi, With Jahier, or WW1, The XXI Century’s Only Hygiene. Alessandra Farina, The «Capital City of the Seven Holes»: Morphology and Stylization of Fictional Space in Soldati’s «Le due città». Clelia Martignoni, The Scene of the «First Encounter». Reading Giovanni Fontana’s Study on Elsa Morante’s «Menzogna e sortilegio». Andrea Aveto, Nine letters from Giovanni Boine to Giuseppe Prezzolini. [continue...]
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