Ode to Monica Vitti: Documenting Antonioni in Anne Carson and Viceversa
Are you already subscribed?
Login to check
whether this content is already included on your personal or institutional subscription.
Abstract
Stemming from Mieke Bal’s theorization of «preposterous history», as well as from Anne Carson’s conceptualization of the Sublime as a «documentary technique», the article aims to provide a «preposterous» interpretation of Michelangelo Antonioni’s L’avventura (1960), The Eclipse (L’eclisse, 1962) and Red Desert (Il deserto rosso, 1964) in the light of Anne Carson’s poems on Monica Vitti.
Keywords
- Ode to Monica Vitti: Documenting Antonioni in Anne Carson and Viceversa
