Cristina Baldacci (Re)Configuring the Museum as Public Space The Artist Role According to Marcel Broodthaers and Hans Haacke pp. 5-22, DOI: 10.30460/100225 Details Cite
Andrea D'Ammando Public Art, Participatory Art and the Museum as Heterotopia pp. 23-39, DOI: 10.30460/100226 Details Cite
Giuseppe Di Giacomo Immanence and Transcendence in the Pictorial Work of Barnett Newman pp. 41-55, DOI: 10.30460/100227 Details Cite
Diego Malquori The Awareness of Illusion. On the Dissolution of the Limits of Contemporary Art pp. 57-71, DOI: 10.30460/100228 Details Cite
Alessandro Alfieri Experimental Cinema, Video Art and Computer Art. Social Dimension, Self-Referentiality and Commercial Application pp. 73-86, DOI: 10.30460/100229 Details Cite
Elisabetta ModenaAndrea PinottiSofia Pirandello Virtual Reality and Augmented Reality New Tools for Art and Politics pp. 87-106, DOI: 10.30460/100230 Details Cite
Tommaso Morawski Bio-Maps. The Challenges of Mapping the Spaces of Life pp. 107-125, DOI: 10.30460/100231 Details Cite
Stefano Velotti Art in the Time of Pandemic: Three Terms pp. 127-140, DOI: 10.30460/100232 Details Cite
Gianluigi Dallarda The Monogram and the Empirical Schematism pp. 141-157, DOI: 10.30460/100233 Details Cite
Vittorio Perego Derrida and the Genetic Phenomenology of Merleau-Ponty pp. 159-175, DOI: 10.30460/100234 Details Cite
Piergiorgio Della Pelle Virtuality and Transcendence in Gadamer’s “Metaphysicsµ of Ereignis pp. 177-194, DOI: 10.30460/100235 Details Cite
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