Alessandra Cerea The Complementarity Model in Human Sciences. From Niels Bohr to Georges Devereux pp. 331-354, DOI: 10.1404/81444 Details Buy Cite
Kenichi Takahashi Guido Reni in Arcadia. The Poetics of the Gaze of P.J. Martello pp. 355-374, DOI: 10.1404/81445 Details Buy Cite
Barbara Chitussi «Dédoublements». The Theatrical Strategy of Somnambulists and the Possessed pp. 375-388, DOI: 10.1404/81446 Details Buy Cite
Roberta Patalano How to build a person. The missing metaphor in «Six characters in search of an author» pp. 389-404, DOI: 10.1404/81447 Details Buy Cite
Paolo Bucci Husserl and Mach: Epistemology and phenomenological analysis of acts pp. 405-424, DOI: 10.1404/81448 Details Buy Cite
Andrea Ghidoni Critical survey on Meletinskij's historical poetics in light of a new translation pp. 443-458, DOI: 10.1404/81450 Details Buy Cite
Lorena Carrara The table as space/time of intersection: Food by Helena Janeczek pp. 459-470, DOI: 10.1404/81451 Details Buy Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) , Valutatori 2018. Andrea Mirabile, Roland Barthes tra "morte dell'autore" e biografia. Erich Auerbach, The Idea of the National Spirit as Source of the Modern Humanities. Elena Porciani, Patto e spazio autobiografico: l'avventura teoria di Philippe Lejeune. , Valutatori 2016. Alberto Frigo, The Aesthetics of Reception and History of Art: H.R. Jauss, F. Haskell and a Pretended Vermeer. Vinicio Pacca, Sulla concezione petrarchesca della fortuna. , Valutatori 2017. Carlo Ginzburg, Some Considerations on Auerbach and Dante. Fabio Domenico Palumbo, Pasolini, Calvino, Baricco: images of Japan in post-World War II Italian literature. [continue...]
Details
Buy
Cite