The Illogics of Kassel (with Apologies to Enrique Vila-Matas)
Are you already subscribed?
Login to check
whether this content is already included on your personal or institutional subscription.
Abstract
This essay explores the curatorial logic of documenta fifteen in relation to previous documentas and other large exhibitions. The author questions whether due to the global expansion of the art world, there is still space for big exhibitions not focused on the market.
Keywords
- Art Market
- Global Art
- Non-Aligned
- Anti-Semitism in Germany
