«Homer has nothing so sublime!»: Ugolino between Enlightenment and Romanticism
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Abstract
This article explores the reception history of the story of Ugolino in Dante’s Inferno from the Enlightenment to Romanticism. The analysis focuses on the relationship between literature and the arts in the works of Jonathan Richardson, Joshua Reynolds, Johann Jakob Bodmer, Lord Byron, and William Blake
Keywords
- Ugolino
- Dante
- Art
- Literature
- Classicism
- Romanticism
