Trevor Dadson

    • 2018

    • Hans Walter Gabler, Text Genetics in Literary Modernism and Other Essays; Edgar Vincent, A. E. Housman: Hero of the Hidden Life; Alonso Víctor de Paredes’Institution,and Origin of the Art of Printing, and General Rules for Compositors; L. Chines, P. Scapecchi, P. Tinti, P. Vecchi (ed.), Nel segno di Aldo; T. Zanato, A. Comboni (ed.), Atlante dei canzo canzonieri del Quattrocento

    • in "Ecdotica", 1/2018
    • pp. 267-318, DOI: 10.7385/99291
    • 2013

    • Elisabeth L. Eisenstein, Divine Art, Infernal Machine. The Reception of Printing in the West from First Impressions to the Sense of an Ending; David C. Parker, Textual Scholarschip and the Making of the New Testament; David McKitterick, Old books, new technologies. The representation, conservation and transformation of books since 1700; Giovanni Boccaccio, Decameron, a cura di A. Quondam, M. Fiorilla e G. Alfano; ...

    • in "Ecdotica", 1/2013
    • pp. 279-324, DOI: 10.7385/99169
    • 2010

    • Martin Deegan, Text Editing, Print and the Digital World; Teresa Numerico, Domenico Fiormonte, Francesca Tomasi, L’umanista digitale; Alessandra Anichini, Il testo digitale; Teodolinda Barolini and H. Wayne Storey, edd. Petrarch and the Textual Origins of Interpretation; Marco Cursi, Il «Decameron»: scritture, scriventi, lettori. Storia di un testo; ...

    • in "Ecdotica", 1/2010
    • pp. 243-294, DOI: 10.7385/99001