Strategies of Macrotextual Recomposition in the Canzonieri (or Canzoniere?) by Gaspare Ambrogio Visconti
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Abstract
This paper examines the private poetic production of Gaspare Ambrogio Visconti, i.e. the two canzonieri dedicated to Beatrice d’Este and Bianca Maria Sforza, and explores the strategies that the author has implemented in transforming the former into the latter, which is basically an enlargement. It concludes by establishing the primacy of the canzoniere to Beatrice between the two.
Keywords
- Gaspare Ambrogio Visconti
- canzoniere
- Milan
- Beatrice d’
- Este
