• Esterino Adami

• What's in a Curry? Interdisciplinary Approaches to Indian Food Discourse

• in "Textus", 2/2019
• pp. 17-30, DOI: 10.7370/94432
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• Anne Brewster

• Introduction

• in "Textus", 2/2019
• pp. 7-16, DOI: 10.7370/94431
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• Giuliana Iannaccaro

• The Story of Nongqawuse in South African Twentieth-Century Fiction

• in "Textus", 3/2014
• pp. 191-212, DOI: 10.7370/80656
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• Maria Grazia GuidoBarbara Seidlhofer

• Introduction. English as a Lingua Franca: Theory and Practice

• in "Textus", 1/2014
• pp. 7-16, DOI: 10.7370/77482
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• Silvia Antosa

• Performing Epic in Contemporary British Poetry: Kate Tempest's Brand New Ancients

• in "Textus", 2/2019
• pp. 195-214, DOI: 10.7370/94444
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• Greta Perletti

• Consumptive Bodies and Diaphanous Types: The Vanishing Self in George Eliot's Daniel Deronda and Walter Pater's Imaginary Portraits

• in "Textus", 2/2019
• pp. 167-182, DOI: 10.7370/94442
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• Milagro Martín Clavijo

• A Critical Look at Post-First World War England: Annie Vivanti's Naja Tripudians, from Reality to Fiction

• in "Textus", 2/2019
• pp. 155-166, DOI: 10.7370/94441
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• Annalisa Bonomo

• Fantasy in the Context of Interdisciplinarity, or the 'Case' of His Dark Materials by Philip Pullman: Language Matters, Cultural References, and Literary Intertextuality

• in "Textus", 2/2019
• pp. 125-138, DOI: 10.7370/94439
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• Eleonora Ravizza

• Caribbean World-Makers and Word-Breakers. Rhizomatic Poetics and the Politics of Transcultural Imagination

• in "Textus", 2/2019
• pp. 183-194, DOI: 10.7370/94443
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• Angelo Monaco

• Language Migration across Literature: Jhumpa Lahiri's Italian Self-Quest

• in "Textus", 2/2019
• pp. 139-154, DOI: 10.7370/94440
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• Sole Alba Zollo

• A Woman's Voice in Economics: The Dialogic Nature of Vernon Lee's Writing

• in "Textus", 2/2019
• pp. 111-124, DOI: 10.7370/94438
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• Francesca BianchiSara Gesuato

• The Adaptation of a Novel to Filmic Needs: Thematic Focus in the Subtitles of Two Filmic Versions of Pride and Prejudice

• in "Textus", 2/2019
• pp. 93-110, DOI: 10.7370/94437
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• Sabrina Francesconi

• Film Adaptations as Intersemiotic Contact Zones: Edge of Madness by Anne Wheeler

• in "Textus", 2/2019
• pp. 77-92, DOI: 10.7370/94436
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• Maria Micaela Coppola

• Psychiatric Fictional Pathography: The Alzheimer's Brain in Lisa Genova's Still Alice and Samantha Harvey's The Wilderness

• in "Textus", 2/2019
• pp. 61-76, DOI: 10.7370/94435
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• Francesca Di Blasio

• (Post)Colonial History, Personal Stories. Indigenous (Auto)Biographical Writing at the Intersection between History and Literature

• in "Textus", 2/2019
• pp. 47-60, DOI: 10.7370/94434
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• Laura Giovannelli

• "There is no order in my garden": The Itineraries of Being and Meaning in Jamaica Kincaid's My Garden (Book):

• in "Textus", 2/2019
• pp. 31-46, DOI: 10.7370/94433
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• Lynda Mugglestone

• Enchaining Syllables and Lashing the Wind: Samuel Johnson, Thomas Sheridan, and the Ascertainment of Spoken English

• in "Textus", 3/2016
• pp. 33-58, DOI: 10.7370/87581
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• Ester Gendusa

• Pat Barker's Regeneration: Subverting the Masculinity of World War I Official Discourse

• in "Textus", 3/2014
• pp. 93-112, DOI: 10.7370/80651
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• Alessandra Molino

• Lexical Bundles in EMI Lectures: An Exploratory Study

• in "Textus", 1/2019
• pp. 119-140, DOI: 10.7370/93186
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• Belinda Crawford Camiciottoli

• Shades of Evaluative Meaning in Web-based Company Communications: The Case of Fashion Brands

• in "Textus", 1/2019
• pp. 19-36, DOI: 10.7370/93181
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