• Stefania Taviano

• Global Hip Hop: A Translation and Multimodal Perspective

• in "Textus", 3/2013
• pp. 97-112, DOI: 10.7370/75660
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• Maria Purves

• "If It Hadn't Been for You Meddling Kids": the Explained Supernatural in an Irrational Age

• in "Textus", 3/2012
• pp. 25-36, DOI: 10.7370/75483
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• Franca Poppi

• The Linguistic Construction of Corporate Identity in International Business Communication

• in "Textus", 1/2013
• pp. 57-68, DOI: 10.7370/75498
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• Gaetano Falco

• The Corporate Annual Report as Genre Mixing: Making Meaning through Interdiscursivity

• in "Textus", 1/2013
• pp. 127-138, DOI: 10.7370/75504
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• Alessandra Rizzo

• Leila Aboulela's Lyrics Alley: Crossing the Sudan, Egypt and Britain

• in "Textus", 2/2012
• pp. 165-, DOI: 10.7370/72611
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• Marta Cariello

• Walking Out of the Museum: The Reconfiguration of Modernism in Mohja Kahf's "Thawrah des Odalisques at the Matisse Retrospective"

• in "Textus", 2/2013
• pp. 99-116, DOI: 10.7370/75513
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• Giulia Adriana Pennisi

• Epistemic Modality Markers in European and American Law Journals

• in "Textus", 1/2013
• pp. 139-148, DOI: 10.7370/75505
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• Belinda Crawford Camiciottoli

• Crafting Brand Identity in the Fashion Industry: A Linguistic Analysis of Web-based Company Communication

• in "Textus", 1/2013
• pp. 81-90, DOI: 10.7370/75500
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• Janet Bowker

• Organisational Consulting and Training Experiences: Intercultural Identities and Discursive Practices in the Creation and Management of Learning

• in "Textus", 1/2013
• pp. 29-44, DOI: 10.7370/75496
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• Nicoletta Brazzelli

• Abdulrazak Gurnah's By the Sea: A Paradigmatic Novel on the Contemporary Diasporic Condition

• in "Textus", 2/2013
• pp. 117-134, DOI: 10.7370/75514
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• Clara Calvo

• Shakespeare and the Edwardian Turn of Mind: Textual Poaching and Mis-citation

• in "Textus", 3/2018
• pp. 175-196, DOI: 10.7370/92493
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• Jacqueline Aiello

• The Symbolic Instrumentalisation of the Face Mask in (De)legitimising Discourse: A Critical Study of User-Generated Online Content at the Onset of the Covid-19 Pandemic in the US

• in "Textus", 2/2021
• pp. 67-86, DOI: 10.7370/101901
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• Caroline Reitz

• Nancy Drew, Dragon Tattoo: Female Detective Fiction and the Ethics of Care

• in "Textus", 2/2014
• pp. 19-46, DOI: 10.7370/78276
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• Riccardo Capoferro

• The Rise of "the Novel": Naming (and Disciplining) New Fiction in Eighteenth-Century Britain

• in "Textus", 3/2019
• pp. 35-56, DOI: 10.7370/95690
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• Virginia Zorzi

• Challenging Dominant Perspectives on Science: Scientific Uncertainty in the Discourse of Popular Online News Sources

• in "Textus", 2/2021
• pp. 102-119, DOI: 10.7370/101903
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• Laura Giovanelli

• Predicting the ‘New Normal’: Teleconnection and the Regime of Social Distancing in E.M. Forster’s “The Machine Stops"

• in "Textus", 2/2021
• pp. 17-32, DOI: 10.7370/101898
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• Giuseppe BaliranoAntonio Fruttaldo

• The Representation of Camorra Ladies in AVT: Gomorrah – The Series and the Negotiation of Interpersonal Meanings across Cultures

• in "Textus", 1/2021
• pp. 131-154, DOI: 10.7370/100399
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• Jodi L. Sandford

• You are the Colour of My Life: Impact of the Positivity Bias on Figurativity in English

• in "Textus", 1/2017
• pp. 223-240, DOI: 10.7370/87675
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• Stefania Biscetti

• Representing Manhood: The pre- and post-War English Gentleman in 17th century Courtesy Books

• in "Textus", 1/2017
• pp. 69-82, DOI: 10.7370/87666
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• Alexandra Bagasheva

• On the Figurativity of Mouth in Fully Lexically Specified Constructions in English

• in "Textus", 1/2017
• pp. 49-68, DOI: 10.7370/87665
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