• Maria Grazia GuidoBarbara Seidlhofer

• Introduction. English as a Lingua Franca: Theory and Practice

• in "Textus", 1/2014
• pp. 7-16, DOI: 10.7370/77482
• Details
• Cite

• Maria PavesiSerenella ZanottiFrederic Chaume

• English in Audiovisual Translation Research: An Introduction

• in "Textus", 1/2021
• pp. 7-22, DOI: 10.7370/100394
• Details
• Cite

• Stefania Taviano

• Global Hip Hop: A Translation and Multimodal Perspective

• in "Textus", 3/2013
• pp. 97-112, DOI: 10.7370/75660
• Details
• Cite

• Vincenza Minutella

• Wow! Ehi, amico. Lascia che ti spieghi... Okay? Già. The English Element in Dubbed Italian. The Case of Animated Films

• in "Textus", 1/2021
• pp. 75-100, DOI: 10.7370/100397
• Details
• Cite

• Massimiliano Demata

• "I think that maybe I wouldn't be here if it wasn't for Twitter". Donald Trump's Populist Style on Twitter.

• in "Textus", 1/2018
• pp. 67-90, DOI: 10.7370/89446
• Details
• Cite

• Giovanna Buonanno

• Black British Women's Theatre in the 1980s and the Politics of Representation

• in "Textus", 2/2017
• pp. 67-82, DOI: 10.7370/87680
• Details
• Cite

• Elisa Mattiello

• Metaphor in Tourism Discourse: Imagined Worlds in English Tourist Texts on the Web

• in "Textus", 1/2012
• pp. 69-, DOI: 10.7370/71235
• Details
• Cite

• Silvia BrutiGianmarco Vignozzi

• The Representation of Spoken Discourse in Little Women: A Journey through its Original and Dubbed Adaptations

• in "Textus", 1/2021
• pp. 23-46, DOI: 10.7370/100395
• Details
• Cite

• Carlotta Farese

• Genre-Bending at Mansfield Park: The Remediation of Austen's Female Characters Across Novel, Theatre and Film

• in "Textus", 3/2017
• pp. 113-128, DOI: 10.7370/89354
• Details
• Cite

• Ester Gendusa

• Pat Barker's Regeneration: Subverting the Masculinity of World War I Official Discourse

• in "Textus", 3/2014
• pp. 93-112, DOI: 10.7370/80651
• Details
• Cite

• Marta Cariello

• Walking Out of the Museum: The Reconfiguration of Modernism in Mohja Kahf's "Thawrah des Odalisques at the Matisse Retrospective"

• in "Textus", 2/2013
• pp. 99-116, DOI: 10.7370/75513
• Details
• Cite

• Gaetano Falco

• The Corporate Annual Report as Genre Mixing: Making Meaning through Interdiscursivity

• in "Textus", 1/2013
• pp. 127-138, DOI: 10.7370/75504
• Details
• Cite

• Carla Mereu Keating

• “The usual hubbub of accentsµ: Italian Films, Transnational Distribution and the Reception of English-language Dubbing in the UK (1949-1969)

• in "Textus", 1/2021
• pp. 255-276, DOI: 10.7370/100404
• Details
• Cite

• Denise Filmer

• Linguistic Representations of Homosexual Identity in Bohemian Rhapsody and Rocketman across English and Italian Linguacultures

• in "Textus", 1/2021
• pp. 203-227, DOI: 10.7370/100402
• Details
• Cite

• Giuseppe BaliranoAntonio Fruttaldo

• The Representation of Camorra Ladies in AVT: Gomorrah – The Series and the Negotiation of Interpersonal Meanings across Cultures

• in "Textus", 1/2021
• pp. 131-154, DOI: 10.7370/100399
• Details
• Cite

• Barbara Cappuzzo

• Specialised English Lexicography. A Contrastive Analysis of two Monolingual Medical Dictionaries

• in "Textus", 1/2020
• pp. 201-223, DOI: 10.7370/97359
• Details
• Cite

• Greta Perletti

• Consumptive Bodies and Diaphanous Types: The Vanishing Self in George Eliot's Daniel Deronda and Walter Pater's Imaginary Portraits

• in "Textus", 2/2019
• pp. 167-182, DOI: 10.7370/94442
• Details
• Cite

• Clara Calvo

• Shakespeare and the Edwardian Turn of Mind: Textual Poaching and Mis-citation

• in "Textus", 3/2018
• pp. 175-196, DOI: 10.7370/92493
• Details
• Cite

• Manfred Pfister

• Sonnet 18

• in "Textus", 3/2018
• pp. 15-16, DOI: 10.7370/92484
• Details
• Cite

• Massimiliano Morini

• Jane Austen's Irony: Lost in the Italian Versions of Pride and Prejudice?

• in "Textus", 3/2017
• pp. 189-207, DOI: 10.7370/89358
• Details
• Cite