• Raffaella Antinucci

• Domesticating the North: Anthony Trollope's Re-writing of Iceland

• in "Textus", 1/2016
• pp. 63-78, DOI: 10.7370/86629
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• Jeannette AllsoppCristiano Furiassi

• Caribbean English Phraseology in the Dictionary of Caribbean English Usage: Reflections of an African Worldview

• in "Textus", 1/2020
• pp. 107-125, DOI: 10.7370/97354
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• Jacqueline Aiello

• The Symbolic Instrumentalisation of the Face Mask in (De)legitimising Discourse: A Critical Study of User-Generated Online Content at the Onset of the Covid-19 Pandemic in the US

• in "Textus", 2/2021
• pp. 67-86, DOI: 10.7370/101901
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• Ester Gendusa

• Pat Barker's Regeneration: Subverting the Masculinity of World War I Official Discourse

• in "Textus", 3/2014
• pp. 93-112, DOI: 10.7370/80651
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• Michael A. Di Giovine

• A Tale of Two Cities: Padre Pio and the Reimagining of Pietrelcina and San Giovanni Rotondo

• in "Textus", 1/2012
• pp. 157-, DOI: 10.7370/71240
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• Giulia Champion

• ‘The River Has Been Put on Tap’: Decolonising Water and Historiography in V.S. Naipaul’s A Bend in the River (1979) and Helon Habila’s Oil on Water (2011)

• in "Textus", 3/2021
• pp. 205-227, DOI: 10.7370/102413
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• Rocco Coronato

• The Wild Field. Stormbraining the Complex Rhythms of King Lear

• in "Textus", 3/2021
• pp. 15-47, DOI: 10.7370/102405
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• Maicol FormentelliElisa Ghia

• "What the hell’s going on?" A Diachronic Perspective on Intensifying Expletives in Original and Dubbed Film Dialogue

• in "Textus", 1/2021
• pp. 47-73, DOI: 10.7370/100396
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• Rossella Ciocca

• Millennium’s Children. New trends in South-Asian Postmillennial Anglophone Literature: Introduction

• in "Textus", 3/2020
• pp. 7-17, DOI: 10.7370/99398
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• Silvia Cacchiani

• Children’s Dictionaries as a Form of Edutainment? User-orientation, Engagement and Proximity for Learning

• in "Textus", 1/2020
• pp. 183-200, DOI: 10.7370/97358
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• Maria Micaela Coppola

• Psychiatric Fictional Pathography: The Alzheimer's Brain in Lisa Genova's Still Alice and Samantha Harvey's The Wilderness

• in "Textus", 2/2019
• pp. 61-76, DOI: 10.7370/94435
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• Matilde ZuccatoAlan Partington

• Brexit: Before and After, a Corpus-assisted Study of the Referendum Campaigns and the Immediate Aftermath

• in "Textus", 1/2018
• pp. 119-140, DOI: 10.7370/89448
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• Roberta Grandi

• "Animals don't behave like men... They have dignity and animality." Richard Adams's Watership Down and interspecies relationships in the Anthropocene

• in "Textus", 3/2021
• pp. 159-186, DOI: 10.7370/102411
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• Giovanna Buonanno

• Hidden Lives on the NHS Frontline: Reading Healthcare Workers through Gender and Race in Black and Asian British Women’s Writing

• in "Textus", 2/2021
• pp. 33-46, DOI: 10.7370/101899
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• Carla Mereu Keating

• “The usual hubbub of accentsµ: Italian Films, Transnational Distribution and the Reception of English-language Dubbing in the UK (1949-1969)

• in "Textus", 1/2021
• pp. 255-276, DOI: 10.7370/100404
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• Vincenza Minutella

• Wow! Ehi, amico. Lascia che ti spieghi... Okay? Già. The English Element in Dubbed Italian. The Case of Animated Films

• in "Textus", 1/2021
• pp. 75-100, DOI: 10.7370/100397
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• Silvia Granata

• Joseph Priestley and the Fate of Eudiometry: Debates on Method, Progress, and the Politics of Science

• in "Textus", 3/2019
• pp. 135-152, DOI: 10.7370/95695
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• Sabrina Francesconi

• Film Adaptations as Intersemiotic Contact Zones: Edge of Madness by Anne Wheeler

• in "Textus", 2/2019
• pp. 77-92, DOI: 10.7370/94436
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• Clara Calvo

• Shakespeare and the Edwardian Turn of Mind: Textual Poaching and Mis-citation

• in "Textus", 3/2018
• pp. 175-196, DOI: 10.7370/92493
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• Tommaso Continisio

• "No matter: let his mangled body lie". Emblematising Ambivalence in Thomas Heywood's The Rape of Lucrece

• in "Textus", 2/2016
• pp. 123-142, DOI: 10.7370/86645
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