Textus English Studies in Italy Most downloaded articles in the last 2 months Stefania Taviano Global Hip Hop: A Translation and Multimodal Perspective in "Textus", 3/2013 pp. 97-112, DOI: 10.7370/75660 Details Cite Ester Gendusa Pat Barker's Regeneration: Subverting the Masculinity of World War I Official Discourse in "Textus", 3/2014 pp. 93-112, DOI: 10.7370/80651 Details Cite Gaetano Falco The Corporate Annual Report as Genre Mixing: Making Meaning through Interdiscursivity in "Textus", 1/2013 pp. 127-138, DOI: 10.7370/75504 Details Cite Gioia Angeletti Resistance and Experimentation: The Ladies of Llangollen and Enlightenment Ideas of Progress and Improvement in "Textus", 3/2019 pp. 173-193, DOI: 10.7370/95697 Details Cite Claudio Bendazzoli Discourse Markers in English as a Target Language: The Use of so by Simultaneous Interpreters in "Textus", 1/2019 pp. 183-202, DOI: 10.7370/93189 Details Cite Clara Calvo Shakespeare and the Edwardian Turn of Mind: Textual Poaching and Mis-citation in "Textus", 3/2018 pp. 175-196, DOI: 10.7370/92493 Details Cite Lucia Esposito What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present' in "Textus", 2/2018 pp. 103-116, DOI: 10.7370/91010 Details Cite Douglas Mark PontonRossana Sampugnaro The rigid club rules: discourse-historical perspectives on British and Italian Eurocriticism in "Textus", 1/2018 pp. 141-164, DOI: 10.7370/89449 Details Cite Claudia Gualtieri "Exotic" people of the North in the Manitoba Museum of Winnipeg in "Textus", 1/2016 pp. 169-182, DOI: 10.7370/86636 Details Cite Alessia Polatti Literary engagement and social corruption: Chetan Bhagat’s snapshots from contemporary India in "Textus", 3/2020 pp. 143-159, DOI: 10.7370/99405 Details Cite Jodi L. Sandford You are the Colour of My Life: Impact of the Positivity Bias on Figurativity in English in "Textus", 1/2017 pp. 223-240, DOI: 10.7370/87675 Details Cite Stefania Biscetti Representing Manhood: The pre- and post-War English Gentleman in 17th century Courtesy Books in "Textus", 1/2017 pp. 69-82, DOI: 10.7370/87666 Details Cite Alessia Ursella What is the Crime? The Upside-down Case of Christopher Banks in Kazuo Ishiguro's When We Were Orphans in "Textus", 2/2014 pp. 109-126, DOI: 10.7370/78280 Details Cite Belinda Crawford Camiciottoli Crafting Brand Identity in the Fashion Industry: A Linguistic Analysis of Web-based Company Communication in "Textus", 1/2013 pp. 81-90, DOI: 10.7370/75500 Details Cite Rossella Ciocca Mothering community. Surviving the post-nation in Arundhati Roy’s The Ministry of Utmost Happiness in "Textus", 3/2020 pp. 183-200, DOI: 10.7370/99407 Details Cite Alessandro Vescovi Poetics of the Teenager in Indian Millennial Fiction: Neel Mukherjee’s A Life Apart, Anjali Joseph’s Saraswati Park, and Aravind Adiga’s Selection Day in "Textus", 3/2020 pp. 161-181, DOI: 10.7370/99406 Details Cite Mara Matta Diasporic Narratives and Migrant Memories in The Teak Almirah by Indian Jewish Author Jael Silliman in "Textus", 3/2020 pp. 119-142, DOI: 10.7370/99404 Details Cite Giuliana Regnoli ‘Fo-laat? You want fo-laat?’ Ethnolinguistic appropriation and authenticity in Bengali English diasporic literature in "Textus", 3/2020 pp. 79-98, DOI: 10.7370/99402 Details Cite Angelo Monaco The Persistence of Nationalism in Bangladeshi Postmillennial Fiction: Realism and Dystopia in Neamat Imam’s The Black Coat in "Textus", 3/2020 pp. 39-58, DOI: 10.7370/99400 Details Cite Alessandra Petrina Where Would you Fit the Coconuts? The Reinstatement of Sexual Stereotypes in a Mock-Biopic in "Textus", 2/2020 pp. 115-128, DOI: 10.7370/98335 Details Cite
Stefania Taviano Global Hip Hop: A Translation and Multimodal Perspective in "Textus", 3/2013 pp. 97-112, DOI: 10.7370/75660 Details Cite
Ester Gendusa Pat Barker's Regeneration: Subverting the Masculinity of World War I Official Discourse in "Textus", 3/2014 pp. 93-112, DOI: 10.7370/80651 Details Cite
Gaetano Falco The Corporate Annual Report as Genre Mixing: Making Meaning through Interdiscursivity in "Textus", 1/2013 pp. 127-138, DOI: 10.7370/75504 Details Cite
Gioia Angeletti Resistance and Experimentation: The Ladies of Llangollen and Enlightenment Ideas of Progress and Improvement in "Textus", 3/2019 pp. 173-193, DOI: 10.7370/95697 Details Cite
Claudio Bendazzoli Discourse Markers in English as a Target Language: The Use of so by Simultaneous Interpreters in "Textus", 1/2019 pp. 183-202, DOI: 10.7370/93189 Details Cite
Clara Calvo Shakespeare and the Edwardian Turn of Mind: Textual Poaching and Mis-citation in "Textus", 3/2018 pp. 175-196, DOI: 10.7370/92493 Details Cite
Lucia Esposito What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present' in "Textus", 2/2018 pp. 103-116, DOI: 10.7370/91010 Details Cite
Douglas Mark PontonRossana Sampugnaro The rigid club rules: discourse-historical perspectives on British and Italian Eurocriticism in "Textus", 1/2018 pp. 141-164, DOI: 10.7370/89449 Details Cite
Claudia Gualtieri "Exotic" people of the North in the Manitoba Museum of Winnipeg in "Textus", 1/2016 pp. 169-182, DOI: 10.7370/86636 Details Cite
Alessia Polatti Literary engagement and social corruption: Chetan Bhagat’s snapshots from contemporary India in "Textus", 3/2020 pp. 143-159, DOI: 10.7370/99405 Details Cite
Jodi L. Sandford You are the Colour of My Life: Impact of the Positivity Bias on Figurativity in English in "Textus", 1/2017 pp. 223-240, DOI: 10.7370/87675 Details Cite
Stefania Biscetti Representing Manhood: The pre- and post-War English Gentleman in 17th century Courtesy Books in "Textus", 1/2017 pp. 69-82, DOI: 10.7370/87666 Details Cite
Alessia Ursella What is the Crime? The Upside-down Case of Christopher Banks in Kazuo Ishiguro's When We Were Orphans in "Textus", 2/2014 pp. 109-126, DOI: 10.7370/78280 Details Cite
Belinda Crawford Camiciottoli Crafting Brand Identity in the Fashion Industry: A Linguistic Analysis of Web-based Company Communication in "Textus", 1/2013 pp. 81-90, DOI: 10.7370/75500 Details Cite
Rossella Ciocca Mothering community. Surviving the post-nation in Arundhati Roy’s The Ministry of Utmost Happiness in "Textus", 3/2020 pp. 183-200, DOI: 10.7370/99407 Details Cite
Alessandro Vescovi Poetics of the Teenager in Indian Millennial Fiction: Neel Mukherjee’s A Life Apart, Anjali Joseph’s Saraswati Park, and Aravind Adiga’s Selection Day in "Textus", 3/2020 pp. 161-181, DOI: 10.7370/99406 Details Cite
Mara Matta Diasporic Narratives and Migrant Memories in The Teak Almirah by Indian Jewish Author Jael Silliman in "Textus", 3/2020 pp. 119-142, DOI: 10.7370/99404 Details Cite
Giuliana Regnoli ‘Fo-laat? You want fo-laat?’ Ethnolinguistic appropriation and authenticity in Bengali English diasporic literature in "Textus", 3/2020 pp. 79-98, DOI: 10.7370/99402 Details Cite
Angelo Monaco The Persistence of Nationalism in Bangladeshi Postmillennial Fiction: Realism and Dystopia in Neamat Imam’s The Black Coat in "Textus", 3/2020 pp. 39-58, DOI: 10.7370/99400 Details Cite
Alessandra Petrina Where Would you Fit the Coconuts? The Reinstatement of Sexual Stereotypes in a Mock-Biopic in "Textus", 2/2020 pp. 115-128, DOI: 10.7370/98335 Details Cite