• Stefania Taviano

• Global Hip Hop: A Translation and Multimodal Perspective

• in "Textus", 3/2013
• pp. 97-112, DOI: 10.7370/75660
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• Ester Gendusa

• Pat Barker's Regeneration: Subverting the Masculinity of World War I Official Discourse

• in "Textus", 3/2014
• pp. 93-112, DOI: 10.7370/80651
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• Gaetano Falco

• The Corporate Annual Report as Genre Mixing: Making Meaning through Interdiscursivity

• in "Textus", 1/2013
• pp. 127-138, DOI: 10.7370/75504
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• Gioia Angeletti

• Resistance and Experimentation: The Ladies of Llangollen and Enlightenment Ideas of Progress and Improvement

• in "Textus", 3/2019
• pp. 173-193, DOI: 10.7370/95697
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• Claudio Bendazzoli

• Discourse Markers in English as a Target Language: The Use of so by Simultaneous Interpreters

• in "Textus", 1/2019
• pp. 183-202, DOI: 10.7370/93189
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• Clara Calvo

• Shakespeare and the Edwardian Turn of Mind: Textual Poaching and Mis-citation

• in "Textus", 3/2018
• pp. 175-196, DOI: 10.7370/92493
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• Lucia Esposito

• What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present'

• in "Textus", 2/2018
• pp. 103-116, DOI: 10.7370/91010
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• Douglas Mark PontonRossana Sampugnaro

• The rigid club rules: discourse-historical perspectives on British and Italian Eurocriticism

• in "Textus", 1/2018
• pp. 141-164, DOI: 10.7370/89449
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• Claudia Gualtieri

• "Exotic" people of the North in the Manitoba Museum of Winnipeg

• in "Textus", 1/2016
• pp. 169-182, DOI: 10.7370/86636
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• Alessia Polatti

• Literary engagement and social corruption: Chetan Bhagat’s snapshots from contemporary India

• in "Textus", 3/2020
• pp. 143-159, DOI: 10.7370/99405
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• Jodi L. Sandford

• You are the Colour of My Life: Impact of the Positivity Bias on Figurativity in English

• in "Textus", 1/2017
• pp. 223-240, DOI: 10.7370/87675
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• Stefania Biscetti

• Representing Manhood: The pre- and post-War English Gentleman in 17th century Courtesy Books

• in "Textus", 1/2017
• pp. 69-82, DOI: 10.7370/87666
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• Alessia Ursella

• What is the Crime? The Upside-down Case of Christopher Banks in Kazuo Ishiguro's When We Were Orphans

• in "Textus", 2/2014
• pp. 109-126, DOI: 10.7370/78280
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• Belinda Crawford Camiciottoli

• Crafting Brand Identity in the Fashion Industry: A Linguistic Analysis of Web-based Company Communication

• in "Textus", 1/2013
• pp. 81-90, DOI: 10.7370/75500
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• Rossella Ciocca

• Mothering community. Surviving the post-nation in Arundhati Roy’s The Ministry of Utmost Happiness

• in "Textus", 3/2020
• pp. 183-200, DOI: 10.7370/99407
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• Alessandro Vescovi

• Poetics of the Teenager in Indian Millennial Fiction: Neel Mukherjee’s A Life Apart, Anjali Joseph’s Saraswati Park, and Aravind Adiga’s Selection Day

• in "Textus", 3/2020
• pp. 161-181, DOI: 10.7370/99406
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• Mara Matta

• Diasporic Narratives and Migrant Memories in The Teak Almirah by Indian Jewish Author Jael Silliman

• in "Textus", 3/2020
• pp. 119-142, DOI: 10.7370/99404
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• Giuliana Regnoli

• ‘Fo-laat? You want fo-laat?’ Ethnolinguistic appropriation and authenticity in Bengali English diasporic literature

• in "Textus", 3/2020
• pp. 79-98, DOI: 10.7370/99402
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• Angelo Monaco

• The Persistence of Nationalism in Bangladeshi Postmillennial Fiction: Realism and Dystopia in Neamat Imam’s The Black Coat

• in "Textus", 3/2020
• pp. 39-58, DOI: 10.7370/99400
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• Alessandra Petrina

• Where Would you Fit the Coconuts? The Reinstatement of Sexual Stereotypes in a Mock-Biopic

• in "Textus", 2/2020
• pp. 115-128, DOI: 10.7370/98335
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