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Articles - L'avventura - number : Speciale, December 2021

10.17397/102722: "MMC 49’76. Modi, memorie e culture della produzione cinematografica: strumenti, metodi e primi esiti", Mariapia Comand, Simone Venturini, Details, FullText
10.17397/102723: "ANICA Cinematic Universe: New Sources for the Study of Italian Cinema’s Production Modes and Cultures", Mariapia Comand, Simone Venturini, Details, FullText
10.17397/102724: "The «Co» Archival Series of the Italian National State Archives: A Few Hypotheses for an Analysis of the Implementation Process of the «Corona Law» with Regard to Co-productions", Francesco Di Chiara, Details, FullText
10.17397/102725: "The Snake Charmer. The Teche Rai and the Representation of the Film Producer on the Small Screen", Elena Gipponi, Details, FullText
10.17397/102726: "Film Production Archives. A Mapping Model Hypothesis", Barbara Corsi, Silvia Moras, Details, FullText
10.17397/102727: "The Mode of Production and Production Modes. Mainstream and Independent Italian Cinema, 1949-1976", Vito Zagarrio, Details, FullText
10.17397/102728: "«Film is Made of Numbers»: Notes and Key Concepts for a Map of the Italian Trade Press", Simone Dotto, Details, FullText
10.17397/102729: "Production Cultures and (Self-)Representations: Investigating Audiovisual Material", Chiara Grizzaffi, Details, FullText
10.17397/102730: "The Fate of a Format. Politics and Cultures of Substandard Cinema in Post-war Italy: A Systemic Perspective", Andrea Mariani, Details, FullText
10.17397/102731: "Tiger Kings. Animal Trainers for Cinema in the Italian Production System (1949-1976)", Jennifer Malvezzi, Sara Martin, Details, FullText
10.17397/102732: "The Producer’s Roles. Euro International Films and the Cicogna Siblings through an Initial Exploration of the Sources (1965-1970)", Malvina Giordana, Details, FullText
10.17397/102733: "From the Theatre to the Living Room: Notes on Film Programming in Cable and Foreign Televisions Broadcasting in Italy Between 1971 and 1976", Diego Cavallotti, Details, FullText