Antioco FlorisMarco Gargiulo Lingue e linguaggi in cerca del reale: alcune riflessioni per un’introduzione pp. 3-10, DOI: 10.17397/98973 Details € 8,00 Cite
Luca Bandirali Human Reality: Action and Perception in Italian Audiovisual Narratives between Serial Drama and Realist Film pp. 11-21, DOI: 10.17397/98974 Details € 8,00 Cite
Marco Gargiulo Multilingualism and Reality in Films. Social Space and Migration pp. 23-35, DOI: 10.17397/98975 Details € 8,00 Cite
Myriam Mereu Feels Like Teen Spirit: Adolescence in the Cinema of Reality pp. 37-54, DOI: 10.17397/98976 Details € 8,00 Cite
Rolf Johannessen Space and Reality in the Cinematic City. Matteo Garrone’s Early Cinema and Dogman pp. 55-68, DOI: 10.17397/98977 Details € 8,00 Cite
Antonio Catolfi Reality, Fictions and Live Films Places. Tosca and La Traviata pp. 69-80, DOI: 10.17397/98978 Details € 8,00 Cite
Luigi Storto Visual Journeys Between Fairytale, History and Memory: The Films of Pietro Marcello pp. 81-95, DOI: 10.17397/98979 Details € 8,00 Cite
Guglielmo PescatoreMarta Rocchi Gomorra: La serie, The Realism Formula pp. 87-108, DOI: 10.17397/98980 Details € 8,00 Cite
Anna Tonelli Bribes, Showgirls and Show Politics: The TV Series 1992 under the Lens of History pp. 109-118, DOI: 10.17397/98981 Details € 8,00 Cite
Cosetta Gaudenzi Between Reality and Fiction. Ammore e malavita by the Manetti Bros. pp. 119-130, DOI: 10.17397/98982 Details € 8,00 Cite
Giancarlo Lombardi Of Genius and Brilliance. Notes on the Adaptation of Elena Ferrante’s L’amore molesto and L’amica geniale pp. 131-144, DOI: 10.17397/98983 Details € 8,00 Cite
Lorenzo DenicolaiElisa Farinacci I’ll Tell You with a Video: Audiovisual Languages on Daily-use Social Media pp. 145-165, DOI: 10.17397/98984 Details € 8,00 Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) , Referee 2016. , Referee 2018. , Referee 2017. Sara Iommi, Valerio Trubbiani, Set Designer for Federico Fellini. The Cinematic Imaginary and the City. Maria Teresa Soldani, The Birth of a Museum for Contemporary Arts: The Case of Centro Pecci, 1986-1992. Edoardo Becattini, Black Mirrors or White Telephones? New Technologies in Recent Italian Film. Alberto Pezzotta, Pandora's Box. Buone notizie and the Portrayal of Sexuality in 1970s Italian Cinema. Damiano Garofalo, Luca Peretti, Non-Theatrical Circuits of Italian Cinema in the American Midwest. A Case Study. Lucia Cardone, Non-returnable bodies: La ragazza in vetrina by Luciano Emmer. Michael Guarneri, The First-Degree Milan Trial for Obscenity against Salò o le 120 giornate di Sodoma. [continue...]
Details
€ 8,00
Cite