Damien Pollard Coherently Incoherent? Dario Argento’s Phenomena and the Influence of the Music Video pp. 193-205, DOI: 10.17397/98965 Details € 8,00 Cite
Cristina Jandelli The Anthropomorphic Gaze of Matteo Garrone: L’imbalsamatore and Osses- sione pp. 207-222, DOI: 10.17397/98966 Details € 8,00 Cite
Eleonora Roaro Udine’s Odeon Cinema as a Case Study of 3D Modelling and Virtual Reality Storytelling for the Preservation of Cultural Heritage pp. 223-240, DOI: 10.17397/98967 Details € 8,00 Cite
Giorgio Avezzù The Recovery and Revitalization of the Mediaset Archive: The Arca Project pp. 241-257, DOI: 10.17397/98968 Details € 8,00 Cite
Giulia Simi «The Coincidence of Being». Patrizia Vicinelli’s Errant Subjects between Poetry and Experimental Cinema pp. 259-275, DOI: 10.17397/98969 Details € 8,00 Cite
Glenda Furini Photography as Source for Studying the Development of the Italian Film Indus- try: The Rodrigo Pais Archive pp. 277-299, DOI: 10.17397/98970 Details € 8,00 Cite
Giulia Aromando Deploying the Strength of the Nation. Francesco Felicetti and the Ceremonial Representations of the Savoys in Sardinia in 1899 pp. 301-317, DOI: 10.17397/98971 Details € 8,00 Cite
Alberto Scandola Un antidivo pop. Italianità, maschilità e performance di Pierfrancesco Favino pp. 319-333, DOI: 10.17397/98972 Details € 8,00 Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines (PEMS) about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) Federica Piana, A «Scandalously Respectable» Diva. The Autobiography of Silvana Pampanini. , Referee 2018. , Referee 2016. Paola Maganzani, Multiple Versions and Remakes. Following the Tracks of "Una notte con te". , Referee 2017. Giulia Simi, «The Coincidence of Being». Patrizia Vicinelli’s Errant Subjects between Poetry and Experimental Cinema. Federico Vitella, The Star-Question and Star-Building. The Star-Entrance in Post-World War II Italian Cinema. Stefano Adamo, Victims Consigned to Memory. Placido Rizzotto, I cento passi and a Different Perspective on Mafia Films. Marco Cucco, COVID and the Italian Film Industry: A Critical Chronicle. Lorenzo Denicolai, Elisa Farinacci, I’ll Tell You with a Video: Audiovisual Languages on Daily-use Social Media. [continue...]
Details
€ 8,00
Cite