Damien Pollard Coherently Incoherent? Dario Argento’s Phenomena and the Influence of the Music Video pp. 193-205, DOI: 10.17397/98965 Details Cite
Cristina Jandelli The Anthropomorphic Gaze of Matteo Garrone: L’imbalsamatore and Osses- sione pp. 207-222, DOI: 10.17397/98966 Details Cite
Eleonora Roaro Udine’s Odeon Cinema as a Case Study of 3D Modelling and Virtual Reality Storytelling for the Preservation of Cultural Heritage pp. 223-240, DOI: 10.17397/98967 Details Cite
Giorgio Avezzù The Recovery and Revitalization of the Mediaset Archive: The Arca Project pp. 241-257, DOI: 10.17397/98968 Details Cite
Giulia Simi «The Coincidence of Being». Patrizia Vicinelli’s Errant Subjects between Poetry and Experimental Cinema pp. 259-275, DOI: 10.17397/98969 Details Cite
Glenda Furini Photography as Source for Studying the Development of the Italian Film Indus- try: The Rodrigo Pais Archive pp. 277-299, DOI: 10.17397/98970 Details Cite
Giulia Aromando Deploying the Strength of the Nation. Francesco Felicetti and the Ceremonial Representations of the Savoys in Sardinia in 1899 pp. 301-317, DOI: 10.17397/98971 Details Cite
Alberto Scandola Un antidivo pop. Italianità, maschilità e performance di Pierfrancesco Favino pp. 319-333, DOI: 10.17397/98972 Details Cite
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