Jacqueline Reich The Digital Afterlife of Italian Cinema pp. 3-18, DOI: 10.17397/90645 Details Buy Cite
Roberto CalabrettoGiovanni De Mezzo Soundscapes in Sardinian Cinema: De Seta's Banditi a Orgosolo and the Taviani Brothers' Padre padrone pp. 19-40, DOI: 10.17397/90646 Details Buy Cite
Luca Bandirali Do Movies Dream of Automatic Girlfriends? Tornatore, Ferraris and a Hypothesis on Film Philosophy pp. 41-52, DOI: 10.17397/90647 Details Buy Cite
Deniz ÖzalpmanSibel Kaba Transnational Directions in Italian Cinema: An Audience Analysis of "Rosso Istanbul" pp. 53-66, DOI: 10.17397/90648 Details Buy Cite
Luca MazzeiDonatella Orecchia An Anti-Star at the Cinema: Petrolini at Cines-Pittaluga pp. 67-92, DOI: 10.17397/90649 Details Buy Cite
Alfonso Venturini Letters to Nostromo. Correspondence with the Editor of the Italian Periodical Cinema, from 1937 to 1943 pp. 93-108, DOI: 10.17397/90650 Details Buy Cite
Stefania Rimini To Play or to Exist. The Actress Paradox of Laura Betti pp. 109-124, DOI: 10.17397/90651 Details Buy Cite
Chiara Tognolotti Women's Bodies. Declinations of Excessiveness in Stefania Sandrelli's Acting pp. 125-146, DOI: 10.17397/90652 Details Buy Cite
Simona Busni Stardom and Alienation: Melodrama's (New) Femmes Étonnantes in the Fifties pp. 147-164, DOI: 10.17397/90653 Details Buy Cite
Beatrice ManettiCristina Jandelli A Multifaceted Protagonist. Miele from Mauro Covacich to Valeria Golino pp. 165-186, DOI: 10.17397/90654 Details Buy Cite
Stefano Guerini Rocco Ghosts of History. The Legacy of the Italian Ethnographic Documentary in Alice Rohrwacher's Films pp. 187-201, DOI: 10.17397/90655 Details Buy Cite
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Most downloaded articles (last 2 months) , Referee 2017. , Referee 2018. , Referee 2016. Francesco Di Chiara, Paolo Noto, The Italian Code: Preventive Censorship and Self-Censorship 1944-1962. Chiara Tognolotti, Women's Bodies. Declinations of Excessiveness in Stefania Sandrelli's Acting. Vito Zagarrio, A Theoretical Film: L’uomo in più (One Man Up). Lucia Cardone, Non-returnable bodies: La ragazza in vetrina by Luciano Emmer. Dana Renga, Le conseguenze dell’amore: A Mafia Noir. Nicoletta Marini-Maio, Obscenity, The Female Body’s Erotic Capital and the Catastrophe of Aging in Paolo Sorrentino’s Loro. Andrea Minuz, «Roma cafona». Notes on The Great Beauty, Kitsch and Photography. [continue...]
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