Sara Iommi Valerio Trubbiani, Set Designer for Federico Fellini. The Cinematic Imaginary and the City pp. 201-212, DOI: 10.17397/85720 Details Buy Cite
Nicola Stefani Traces of Storyboarding. Francesco Rosi's La sfida pp. 213-230, DOI: 10.17397/85721 Details Buy Cite
Rinaldo Vignati Marcello Marchesi, screenplay auteur pp. 231-254, DOI: 10.17397/85722 Details Buy Cite
Luca Malavasi «Is Not This Something More than Fantasy?». The Films Renato Castellani Never Made pp. 255-286, DOI: 10.17397/85723 Details Buy Cite
Livia Cavaglieri Renato Castellani, Theatre Director pp. 303-320, DOI: 10.17397/85725 Details Buy Cite
Matteo PolloneGabriele Rigola From Outer Space: Science Fiction in the Archives pp. 321-336, DOI: 10.17397/85726 Details Buy Cite
Raffaele De Berti Europa di notte. The Revue Show in the Italy of the Economic Boom pp. 337-356, DOI: 10.17397/85727 Details Buy Cite
Giovanni GuagneliniValentina Re An «Original» Way to Conceive of Creativity. Institutional Anti-Piracy Debates in Italy pp. 357-376, DOI: 10.17397/85728 Details Buy Cite
Marco CuccoBianca Parravicini Record Normality. Financing, promotion and distribution of the films performed by Checco Zalone pp. 377-394, DOI: 10.17397/85729 Details Buy Cite
Raffaele Pavoni Filming with a «Still» Camera: the Impact of the Videoreflex on the Contemporary Italian Music Videos pp. 395-416, DOI: 10.17397/85730 Details Buy Cite
Lisa Dolasinski Crossing Borders. Migration, Tourism, and Liminality in Crialese's Terraferma pp. 417-432, DOI: 10.17397/85731 Details Buy Cite
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Most downloaded articles (last 2 months) , Referee 2017. , Referee 2016. , Referee 2018. Lucia Cardone, Non-returnable bodies: La ragazza in vetrina by Luciano Emmer. Raffaele De Berti, Europa di notte. The Revue Show in the Italy of the Economic Boom. Maria Teresa Soldani, The Birth of a Museum for Contemporary Arts: The Case of Centro Pecci, 1986-1992. Chiara Tognolotti, Women's Bodies. Declinations of Excessiveness in Stefania Sandrelli's Acting. Alberto Pezzotta, Pandora's Box. Buone notizie and the Portrayal of Sexuality in 1970s Italian Cinema. Stefano Adamo, Victims Consigned to Memory. Placido Rizzotto, I cento passi and a Different Perspective on Mafia Films. Antioco Floris, «From a Ptolemaic State to a Copernican Notion» The De Seta Method and Banditi a Orgosolo. An Anthology of the Documents in the Director's Personal Archive. [continue...]
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