Sara Iommi Valerio Trubbiani, Set Designer for Federico Fellini. The Cinematic Imaginary and the City pp. 201-212, DOI: 10.17397/85720 Details Buy Cite
Nicola Stefani Traces of Storyboarding. Francesco Rosi's La sfida pp. 213-230, DOI: 10.17397/85721 Details Buy Cite
Rinaldo Vignati Marcello Marchesi, screenplay auteur pp. 231-254, DOI: 10.17397/85722 Details Buy Cite
Luca Malavasi «Is Not This Something More than Fantasy?». The Films Renato Castellani Never Made pp. 255-286, DOI: 10.17397/85723 Details Buy Cite
Livia Cavaglieri Renato Castellani, Theatre Director pp. 303-320, DOI: 10.17397/85725 Details Buy Cite
Matteo PolloneGabriele Rigola From Outer Space: Science Fiction in the Archives pp. 321-336, DOI: 10.17397/85726 Details Buy Cite
Raffaele De Berti Europa di notte. The Revue Show in the Italy of the Economic Boom pp. 337-356, DOI: 10.17397/85727 Details Buy Cite
Giovanni GuagneliniValentina Re An «Original» Way to Conceive of Creativity. Institutional Anti-Piracy Debates in Italy pp. 357-376, DOI: 10.17397/85728 Details Buy Cite
Marco CuccoBianca Parravicini Record Normality. Financing, promotion and distribution of the films performed by Checco Zalone pp. 377-394, DOI: 10.17397/85729 Details Buy Cite
Raffaele Pavoni Filming with a «Still» Camera: the Impact of the Videoreflex on the Contemporary Italian Music Videos pp. 395-416, DOI: 10.17397/85730 Details Buy Cite
Lisa Dolasinski Crossing Borders. Migration, Tourism, and Liminality in Crialese's Terraferma pp. 417-432, DOI: 10.17397/85731 Details Buy Cite
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