Sara Iommi Valerio Trubbiani, Set Designer for Federico Fellini. The Cinematic Imaginary and the City pp. 201-212, DOI: 10.17397/85720 Details Buy Cite
Nicola Stefani Traces of Storyboarding. Francesco Rosi's La sfida pp. 213-230, DOI: 10.17397/85721 Details Buy Cite
Rinaldo Vignati Marcello Marchesi, screenplay auteur pp. 231-254, DOI: 10.17397/85722 Details Buy Cite
Luca Malavasi «Is Not This Something More than Fantasy?». The Films Renato Castellani Never Made pp. 255-286, DOI: 10.17397/85723 Details Buy Cite
Livia Cavaglieri Renato Castellani, Theatre Director pp. 303-320, DOI: 10.17397/85725 Details Buy Cite
Matteo PolloneGabriele Rigola From Outer Space: Science Fiction in the Archives pp. 321-336, DOI: 10.17397/85726 Details Buy Cite
Raffaele De Berti Europa di notte. The Revue Show in the Italy of the Economic Boom pp. 337-356, DOI: 10.17397/85727 Details Buy Cite
Giovanni GuagneliniValentina Re An «Original» Way to Conceive of Creativity. Institutional Anti-Piracy Debates in Italy pp. 357-376, DOI: 10.17397/85728 Details Buy Cite
Marco CuccoBianca Parravicini Record Normality. Financing, promotion and distribution of the films performed by Checco Zalone pp. 377-394, DOI: 10.17397/85729 Details Buy Cite
Raffaele Pavoni Filming with a «Still» Camera: the Impact of the Videoreflex on the Contemporary Italian Music Videos pp. 395-416, DOI: 10.17397/85730 Details Buy Cite
Lisa Dolasinski Crossing Borders. Migration, Tourism, and Liminality in Crialese's Terraferma pp. 417-432, DOI: 10.17397/85731 Details Buy Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) , Referee 2018. Chiara Tognolotti, Women's Bodies. Declinations of Excessiveness in Stefania Sandrelli's Acting. , Referee 2017. , Referee 2016. Michael Guarneri, The First-Degree Milan Trial for Obscenity against Salò o le 120 giornate di Sodoma. Antonella De Blasio, Marco Teti, Naples «It's Me and You». The Construction and Distribution of the Liberato Music Brand through the Videoclips of Francesco Lettieri. Deborah Toschi, Femininity and Macabre Trucage in Italian Gothic Horror, between Anatomical Waxes and Memento Mori. Denis Lotti, Silent Memories. Egodocuments as Sources for Early Italian Cinema History. Alberto Scandola, Stefano Accorsi: The Construction and Deconstruction of a Sex Symbol. Raffaele De Berti, Europa di notte. The Revue Show in the Italy of the Economic Boom. [continue...]
Details
Buy
Cite
Download