Table of contents of the issue 1/2016, January-June

ISBN: 978-88-15-26218-9

Year: 2

Forme, stili, figure / patterns, styles, figures

Achille Castaldo

Filming the painting. Piero della Francesca's Madonna del Parto through the lenses of Valerio Zurlini and Andrej Tarkovskij

L'avventura 1/2016 pp: 3-20 DOI: 10.17397/84228

Fabio Andreazza

«Director in Boots». The Posture of Alessandro Blasetti

L'avventura 1/2016 pp: 21-38 DOI: 10.17397/84229

Matteo Billeri

Antonioni's (Neo-)Avant-Garde. Visual Sources for L'eclisse (1962)

L'avventura 1/2016 pp: 39-56 DOI: 10.17397/84230

Andrea Baldi

Intertextual Relationships in Renzo e Luciana: From Calvino to Monicelli

L'avventura 1/2016 pp: 57-76 DOI: 10.17397/84231

Archivio / archive

Andrea Mariani

The Politicization of Experimental film. The Role of Cinegufs and Luciano Emmer's «Dolomiti Film» in the Production of Il Covo (1941)

L'avventura 1/2016 pp: 77-102 DOI: 10.17397/84232

Differenze / differences

Mariapia Comand Federica Villa

Identifying Spaces: on the Feminine and Masculine in Popular Cinema in the Fifties and Sixties

L'avventura 1/2016 pp: 103-122 DOI: 10.17397/84233

Giacomo Manzoli

«Cured of Homosexuality». Research Assessment and Validation in Italian Film and Media Studies

L'avventura 1/2016 pp: 123-136 DOI: 10.17397/84234

Racconto contemporaneo / contemporary tale

Rocco Giansante

From Neo to New Realism. The Films of Nanni Moretti

L'avventura 1/2016 pp: 137-148 DOI: 10.17397/84235

Guido Mori

The cinema of pleasure: the gaze as a political factor, from Fellini to Sorrentino

L'avventura 1/2016 pp: 149-170 DOI: 10.17397/84236

Camera / camera

Stefania Parigi

Film on paper. Un Paese by Strand and Zavattini

L'avventura 1/2016 pp: 171-195 DOI: 10.17397/84237

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