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Table of contents of the issue 1/2021, January-June
Fronteras. Identidad y Memoria en la dimensión mediática

ISBN: 978-88-29-00902-2

Year: 11

Assunta Polizzi

InVerbis 1/2021 pp: 9-13 DOI: 10.7368/101061

Floriana Di Gesù

Enactivism, Mental Models and Fascist and Francoist Linguistic Policy

InVerbis 1/2021 pp: 15-26 DOI: 10.7368/101062

Stefania Licata

Colonial Imaginary and Radio Soap Opera: The Case of Se abren las nubes and the Spanish Guinea

InVerbis 1/2021 pp: 27-40 DOI: 10.7368/101063

Mostafa Ammadi

Memory and the Construction of Identity through the Press of the Spanish Protectorate in Morocco

InVerbis 1/2021 pp: 41-52 DOI: 10.7368/101064

Agnieszka Woch

Generation Z Takes to the Streets. A Change of Protest Paradigm?

InVerbis 1/2021 pp: 53-63 DOI: 10.7368/101065

Claudio Maria Schirò

Russian Figures in Transit through Ljudmila Ulickaja’s New York

InVerbis 1/2021 pp: 65-81 DOI: 10.7368/101066

Oleksandr Pronkevich

Identity, Memory and Borders of Ukraine in the Journal Oriente Europeo

InVerbis 1/2021 pp: 83-96 DOI: 10.7368/101067

Oleg Rumyantsev

The Identity Issue in the Press of the Rusyns of Yugoslavia in the Interwar Period

InVerbis 1/2021 pp: 97-110 DOI: 10.7368/101068

Astrid Santana

Narratives of the Residue and Border Thinking in the Recent Cuban Documentary

InVerbis 1/2021 pp: 111-122 DOI: 10.7368/101069

Assunta Polizzi

Identity strategies and literary chronicle from border perspectives: “Crónica sentimental de la Transiciónµ by Manuel Vázquez Montalbán in El País Semanal

InVerbis 1/2021 pp: 123-134 DOI: 10.7368/101070

Studi/Articles

Giovanna Battaglino

Occurrences of μακραιων in Sophocles’ Extant Tragedies: Some Considerations

InVerbis 1/2021 pp: 137-150 DOI: 10.7368/101071

Federica D'Ascenzo

From the ‘Defantasized’ Fantastic to the Interior Monologue: The Reasons for a Failure

InVerbis 1/2021 pp: 151-162 DOI: 10.7368/101072

Marina Giordano

Gender Exchange. The Correspondence between Stefano Cairola, Guglielmo and Lia Pasqualino Noto. From the ‘Mockery’ in Genua (1941) to the Centro d’Azione delle Arti di Palermo (1942)

InVerbis 1/2021 pp: 163-179 DOI: 10.7368/101073

Robert W. Haynes

Downplaying Erasmian Play: Humanism and Serious Politics in Thomas Starkey’s Dialogue between Reginald Pole and Thomas Lupset

InVerbis 1/2021 pp: 181-200 DOI: 10.7368/101074

Alberto Manco Francesca De Rosa

Tell Me How You Say You Talk and You Will Tell Me Who You Are. Some More Linguistic Remarks on Performativity of Gender

InVerbis 1/2021 pp: 201-218 DOI: 10.7368/101075

Geraldine Quartararo

Beyond evidentiality. The epistemic function of the suffix -wa in Aymara

InVerbis 1/2021 pp: 219-237 DOI: 10.7368/101076

InVerbis 1/2021 pp: 239-244 DOI: 10.7368/101077

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