Marta Barbaro The sacred and the obscene in Poggio Bracciolini's Facetiae pp. 13-28, DOI: 10.7368/83772 Details Cite
Elisa Bacchi Between physiology and cosmology: on Baldus' melancholy poetics pp. 29-45, DOI: 10.7368/83773 Details Cite
Giordano Rodda Baldo's Chaos: laughter and self-citation strategies pp. 47-62, DOI: 10.7368/83774 Details Cite
Francesca Jossa «Coronati di cavoli e di bieta»: Identity and otherness in the Italian Renaissance burlesco stile pp. 63-82, DOI: 10.7368/83775 Details Cite
Federica Greco Saying everything and its opposite. Paradox and antinomy in Lando's works pp. 83-98, DOI: 10.7368/83776 Details Cite
Tobia Zanon Against tragedy. Zaccaria Valaresso's Rutzvanscad il giovine pp. 99-114, DOI: 10.7368/83777 Details Cite
Sari Kivistö Against youthful errors: Literary palinodes and recantations of the learned as academic self-criticism pp. 115-128, DOI: 10.7368/83778 Details Cite
Francesco Scaglione A few remarks on colloquial language in Italy pp. 129-146, DOI: 10.7368/83779 Details Cite
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