Heather L. Reid Aristotle on the Beauty of Fair Play DOI: 10.14648/97112 Availability: 22/06/2020 Details
Andrea Gatti Meaningful Images and Morphological Analoga DOI: 10.14648/97113 Availability: 22/06/2020 Details
Laurie Ruth Johnson Romantic Vision as Romantic History in Werner Herzog’s Invincible pp. 25-42, DOI: 10.14648/97254 Details Cite
Paolo Stellino What Is It like to Be in the Land of Silence and Darkness? Werner Herzog and the Paradox of Representing the Unrepresentable pp. 43-62, DOI: 10.14648/97255 Details Cite
Daniele Dottorini Moving (in Space and Time). Herzog and Cinema as Orientierung pp. 63-78, DOI: 10.14648/97256 Details Cite
David LaRocca The Autobiographical Sublime: Achieving Herzog’s Persona at the Intersection of the Home Movie, Self-Citation, and Autofiction pp. 79-98, DOI: 10.14648/97309 Details Cite
Francesco Cattaneo The Nature of Vision. Herzog and the Ecstasy of Truth pp. 99-120, DOI: 10.14648/97310 Details Cite
Silvano Tagliagambe Aesthetics, «Translucidity» and the Strategy of the Gaze pp. 121-144, DOI: 10.14648/97311 Details Cite
Marco Russo Topics of Sense. Reading Plessner’s Philosophy of Culture pp. 167-184, DOI: 10.14648/96356 Details Cite
Gianluca Garelli Toward a Philosophy of Metamorphosis: Ovid pp. 163-182, DOI: 10.14648/97312 Details Cite
Giovanbattista Tusa Politics and Finitude. Notes for an Ecology of Truths pp. 205-222, DOI: 10.14648/97313 Details Cite
Alessandro Stavru Plato, the Socratic Dialogue and the spoudaiogeloion pp. 223-240, DOI: 10.14648/97314 Details Cite
Heather L. Reid The Athletic Aesthetic in Rome’s Imperial Baths pp. 255-274, DOI: 10.14648/97315 Details Cite
Marcello BarisonLuca Taddio On the theological Ground of Aesthetics Borges and Wittgenstein pp. 275-292, DOI: 10.14648/97316 Details Cite
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Most downloaded articles (last 2 months) , Immagini. Francesco Cattaneo, Bright Spots in the Night. Focusing on the Role of Art in Friedrich Nietzsche's Birth of Tragedy from the Perspective of the Overturning of Platonism. , Immagini. Hidemichi Tanaka, What is Japanese Baroque?. Francesco Cattaneo, Fabio Grigenti, Gaetano Rametta, Introduzione. Elisabetta Mengaldo, «Gay Science» and «Sad Science». Nietzsche’s and Adorno’s Short Prose Form. Daniele Guastini, Augustine of Hippo and Aesthetics. Annalisa Baicchi, The Relevance of Conceptual Metaphor in Semantic Interpretation. Riccardo Dottori, The Hyper-reality of Mask in Giorgio de Chirico. Francesco Cattaneo, Between Appearance and Eternity. The Meaning of Myth in Friedrich Nietzsche and Ernst Jünger. [continue...]
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