Heather L. Reid Aristotle on the Beauty of Fair Play DOI: 10.14648/97112 Availability: 22/06/2020 Details
Andrea Gatti Meaningful Images and Morphological Analoga DOI: 10.14648/97113 Availability: 22/06/2020 Details
Laurie Ruth Johnson Romantic Vision as Romantic History in Werner Herzog’s Invincible pp. 25-42, DOI: 10.14648/97254 Details Cite
Paolo Stellino What Is It like to Be in the Land of Silence and Darkness? Werner Herzog and the Paradox of Representing the Unrepresentable pp. 43-62, DOI: 10.14648/97255 Details Cite
Daniele Dottorini Moving (in Space and Time). Herzog and Cinema as Orientierung pp. 63-78, DOI: 10.14648/97256 Details Cite
David LaRocca The Autobiographical Sublime: Achieving Herzog’s Persona at the Intersection of the Home Movie, Self-Citation, and Autofiction pp. 79-98, DOI: 10.14648/97309 Details Cite
Francesco Cattaneo The Nature of Vision. Herzog and the Ecstasy of Truth pp. 99-120, DOI: 10.14648/97310 Details Cite
Silvano Tagliagambe Aesthetics, «Translucidity» and the Strategy of the Gaze pp. 121-144, DOI: 10.14648/97311 Details Cite
Marco Russo Topics of Sense. Reading Plessner’s Philosophy of Culture pp. 167-184, DOI: 10.14648/96356 Details Cite
Gianluca Garelli Toward a Philosophy of Metamorphosis: Ovid pp. 163-182, DOI: 10.14648/97312 Details Cite
Giovanbattista Tusa Politics and Finitude. Notes for an Ecology of Truths pp. 205-222, DOI: 10.14648/97313 Details Cite
Alessandro Stavru Plato, the Socratic Dialogue and the spoudaiogeloion pp. 223-240, DOI: 10.14648/97314 Details Cite
Heather L. Reid The Athletic Aesthetic in Rome’s Imperial Baths pp. 255-274, DOI: 10.14648/97315 Details Cite
Marcello BarisonLuca Taddio On the theological Ground of Aesthetics Borges and Wittgenstein pp. 275-292, DOI: 10.14648/97316 Details Cite
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