Giacomo Calandra di Roccolino The skyscraper as a model. Reception of the tall building in Berlin in the first post-war period pp. 221-246, DOI: 10.14647/97750 Details Cite
Antonella Salomoni Soviet Vertical Policies: The Palace of Soviets in Moscow (1931-1933) pp. 247-266, DOI: 10.14647/97751 Details Cite
Gala Maria Follaco Tokyo, an Asian Metropolis. Transformations and Representations of the Urban Landscape in the 20th Century pp. 267-288, DOI: 10.14647/97752 Details Cite
Barbara Bracco Symbols of Vertical Modernity: The Cultural Landscape of Milan from the Early Twentieth Century to the Pirellone pp. 289-306, DOI: 10.14647/97753 Details Cite
Maurizio Ridolfi Between Sky and Sea. Skyscrapers in the Romagna «Seaside Metropolis» pp. 307-330, DOI: 10.14647/97754 Details Cite
Silvia MantiniMiguel Dantas da CruzTommaso CaiazzaSalvatore Botta I terremoti e la ri/costruzione di una storia: Lisbona, San Francisco e L’Aquila pp. 347-384, DOI: 10.14647/97756 Details Cite
Elena Musiani From Italy to the Ottoman Empire: The Mediterranean Travels of a Liberal Economist pp. 385-405, DOI: 10.14647/97757 Details Cite
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Most downloaded articles (last 2 months) Maurizio Ridolfi, Between Sky and Sea. Skyscrapers in the Romagna «Seaside Metropolis». Barbara Bracco, Symbols of Vertical Modernity: The Cultural Landscape of Milan from the Early Twentieth Century to the Pirellone. Marco De Nicolò, The Challenge to the Sky. Antonella Salomoni, Soviet Vertical Policies: The Palace of Soviets in Moscow (1931-1933). Marco Fincardi, Skyscrapers in the Silent Cinema. Gala Maria Follaco, Tokyo, an Asian Metropolis. Transformations and Representations of the Urban Landscape in the 20th Century. Gianni Silei, No longer silent. Literature and perspectives on the History of Emotions. Elena Musiani, From Italy to the Ottoman Empire: The Mediterranean Travels of a Liberal Economist. Silvia Mantini, Miguel Dantas da Cruz, Tommaso Caiazza, Salvatore Botta, I terremoti e la ri/costruzione di una storia: Lisbona, San Francisco e L’Aquila. Giacomo Calandra di Roccolino, The skyscraper as a model. Reception of the tall building in Berlin in the first post-war period. [continue...]
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