• Andrea D'Ammando, Public Art, Participatory Art and the Museum as Heterotopia.
• Denise Vincenti, Phantoms of the Mind. Hallucination and Perception in France in the Second Half of the Nineteenth Century.
• David Ceccarelli, Epigenesis as Lamarckism? Labels and Processes to Face in Historical Perspective.
• Piergiorgio Della Pelle, Virtuality and Transcendence in Gadamer’s “Metaphysicsµ of Ereignis.
• Vittorio Perego, Derrida and the Genetic Phenomenology of Merleau-Ponty.
• Gianluigi Dallarda, The Monogram and the Empirical Schematism.
• Stefano Velotti, Art in the Time of Pandemic: Three Terms.
• Elisabetta Modena, Andrea Pinotti, Sofia Pirandello, Virtual Reality and Augmented Reality New Tools for Art and Politics.
• Alessandro Alfieri, Experimental Cinema, Video Art and Computer Art. Social Dimension, Self-Referentiality and Commercial Application.
• Giuseppe Di Giacomo, Immanence and Transcendence in the Pictorial Work of Barnett Newman.

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