Claudio Bisoni

CINEMA WITHIN THE AESTHETIC RELATION: FILM STUDIES AND GÉRARD GENETTE’S ART THEORY

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Keywords

  • Throughout their histories
  • film theory and analytical aesthetics have rarely shown points of contact. This paper attempts to overcome this impasse by showing the suitability of Genetteâ€
  • s aesthetics to film studies while tracing a broader reconnaissance of these misconnections. This essay is divided into two parts. First
  • it identifies the reasons that have hindered the interactions between analytic aesthetics and film studies. Second
  • it addresses the compatibility of some of the concepts Genette presents in his magnum opus The Aesthetic Relation to contemporary film studies

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