La messa in scena della temporalità come prospettiva analitica del cinema di Ingmar Bergman
Are you already subscribed?
Login to check
whether this content is already included on your personal or institutional subscription.
Keywords
- Bergman's cinema defines the possibilities of a perceptive horizon in which the experience of passing time becomes tangible. On the basis that the analysis of themise-en-scene of time can be a useful field of research
- this essay highlights the process through which Bergman defines a complex temporal horizon
- in which the phenomenological dimension of the linear passage of time merges with
- and often turns into
- a subjective perception of passing time
- creating a syncretic relationship between the quantitative time of the action and the qualitative time of the sensation
