Rossella Catanese

Il restauro digitale dei film: Ballet mécanique di Fernand Léger

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Keywords

  • Only since the Eighties of the last century
  • in Italy filmhas been institutionally considered as a cultural
  • rather than a commercial item. So it has been given a systematic
  • academic and ethical disposal to the conservation and restoration practices. The introduction of the numeric information among the images systemallows awide flexibility of action on images
  • although it is bound to numeric encoding and decoding systems. A case study for the digital processes is a restoration project planned on Ballet mécanique
  • cubist painter Fernand Léger's masterpiece of the European Twenties Avant-garde
  • that the Eye Filminstitut decided to restore in a unique coloured copy

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