Anna Gilardelli

Con e contro Pasolini. Il volto e l'allegoria: Teorema e Porcile

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Keywords

  • Teorema (1968) and Porcile (1969) are works that clearly share common elements. They both tell stories that focus on sex and eroticism
  • showing faces and non-bodies. These two movies form a diptych that has its epilogue in Salò or the 120 Days of Sodom (1975). They are two philosophical films that
  • through allegory
  • show a bourgeois world that has lost its cultural roots. A world doomed to lose its way. It is a cinema of logos
  • a cinema of modernity
  • that raises questions about itself and about other forms of representation. It is a cinema that contains reflections on language
  • film
  • theatre and painting
  • similar to reflections
  • with their veiled semiotic perspective
  • which Pasolini wrote between 1965 and 1971
  • and later collected in Empirismo eretico (Garzanti
  • Milano 1972)

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